The Crow and Cloé’s Mission

(La version originale en français se trouve dans l’article précédent.)

(Copyright © Jack Cain 2017, text and images)

Cloé’s session begins with me asking her to go to a beautiful place that is safe and then to tell me about it.

Cloé: It’s an island in a lake in the area where I grew up. There’s a sandy beach all around the island. It’s not a very big island. It feels really good when I’m lying down on the sand or walking on the beach. I feel safe there.

Jack: Just stay there for a bit. You are in the process of taking in influences or impressions of this place. It’s almost like a kind of food.

It is the subconscious part of your consciousness that has provided you with this place which is so comfortable and which feels so safe.

What emotion are you feeling there?

Cloé: It’s the void. It’s the feeling of belonging to the planet, to the Earth with just things of nature around me, except of course for the boat I used to come to the island. There’s a sense of security in the void, in the silence… It’s like when you dive into the lake and you listen to the silence that is there in the deep water. That makes me feel really safe. It’s a feeling of being nothing.

Jack: And when you say “void” I have the impression that it’s not a void that is really empty. Do you sense life in it?

Cloé: There is so much life that it becomes empty.

Jack: Ah, I see.

Cloé: It’s incredibly full.

Jack: That’s right.

Cloé: Full of something… It’s hard to explain.

Jack: Perhaps there’s no need to explain. Perhaps it’s just a question of staying there for a while.

Do you feel you are part of the silence?

Cloé: I feel that I am permitted to be part of the silence. I feel that I belong to the silence. It’s as if I am balanced.

Jack: It’s important to continue – to feel that you are there, that you are part of the silence, that you belong to the silence. For the moment, I don’t think you have to go anywhere else because you may be able to find something in the silence – something that appears or shows up for you. Because we are looking for just the right thing, the most important thing for Cloé today, the 25th of August 2017.

Cloé: There’s an image. I wasn’t thinking about it. A crow has shown up.

Jack: Yes. Perhaps the crow has something to tell you. Proceed gently.

Cloé: It’s as if the crow is trying to speak to me but I don’t understand what he’s saying.

Jack: All you have to do is ask your higher part, a higher consciousness that can understand the crow’s language. Gradually, without forcing anything, what he is saying will become clear.

Cloé: He tells me that I’m not alone. [sigh]

Jack: Perhaps he could explain that a little. What does that mean? Are there other beings there that are part of a team or what?

Cloé: It’s as if he’s telling me that I have a mission to carry out – an important mission. And I’m not alone in doing that. It’s as though those who sent me are protecting me.

Jack: Yes.

Cloé: I’m asking him what I’m supposed to do. He replies that I already know, that I don’t have to ask that question.

Jack: Can you say what it is that you already know?

Cloé: It’s as if I’m becoming aware that I know things that others don’t – a knowledge. I think that the first thing is that I need to become aware of that very deeply. Because for me it’s difficult to accept that others don’t have that knowledge. I tend to think everyone has it. But it’s as if I receive a message that it’s not true that everyone has that.

Jack: Yes,it’s very important to realize that.

Cloé: It’s as though there is someone inside me who doesn’t want to admit that I’m not like everybody else. You see? So, it’s with that aspect that is different from others that I have to fulfill my mission. It’s as though I have a gift that I must pass on to others.

I have a deep understanding about the things of life without ever having learned them. They are inside me. And I know that they have a taste, a taste that is very deep. When I feel that I know I’m not mistaken – I know it’s not my ego.

Jack: Not at all. Because you’re able to tell what is ego and what isn’t.

Cloé: Yes, I think so. The ego has no interest in all that. It’s like a transmission of deep knowledge that comes from very far away – an understanding.

It’s as though I need to help people move towards that. And what I have to understand first is that I must understand that people don’t understand.

Jack: Right. Totally. This understanding is not very common.

And perhaps you can ask about the stages, the steps to take in this mission of transmitting knowledge to others. What do you have to do?

Cloé: Yes, in what capacity am I to do that? Is it with the new profession that I am starting now?

Jack: Yes, you could ask that…

Cloé: He says yes but not only with that but with other things as well. I need to simply search for what is the simplest way, using what appears on my path.

With Samuel for example. Samuel is the Alzheimer patient that I am looking after. There’s something I can do there.

Jack: Can you say what that is?

Cloé: It’s not clear.

Jack: Perhaps the crow can explain clearly the way your relationship with Samuel will be a part of how you need to move forward…

Cloé: It’s like the heart of it. With Samuel I can be who I really am. I can be who I am really in relation to my mission. You see?

Jack: Yes.

Cloé: Because with Samuel, there is no judgment. He’s like an unbalanced animal that is completely open. With Samuel I can be true. There’s no need to play a role. Yes, that’s it. So, if I want to make contact with him, I only need to be true and automatically a door will open. And it’s the same thing with everyone else – I just have to be true.

Jack: So with Samuel you have a learning process, right? In order to prepare yourself to be yourself ideally with everyone.

Cloé: Yes.

It’s as though the interactions with Samuel – what he says – is like a caricature in the sense that it doesn’t make any sense. But often what people say is like that, right?

Jack: Exactly the same. [both of us laugh] Completely without content – just spoken words that look like they mean something but in fact they are devoid of meaning. However, it takes strength and a kind of stability to be able to be yourself with others. Are there other things that would help you find the strength to be yourself with others, with everyone?

Cloé: Yes, for sure. My mother. My mother couldn’t help me. I’ve never been close to my mother. And yet there is a closeness to her that is essential, hidden and very deep. But my relationship with her is superficial – on my side.

What the most difficult for me is to be myself with my mother because I always have to play the role of the daughter that she wants me to be. So if I could manage to be as true with my mother as I am with Samuel that could help a lot.

Jack: So you have two tools that you can use – Samuel and your mother. It’s very practical. Of course your relationship with your mother is more difficult because it’s encumbered with a history, with a life. Nevertheless…

Cloé: It’s the opposite of Samuel. With Samuel, he allows me to be who I am. He doesn’t know who I am. He doesn’t recognize me from one time to the next. So, I can just be completely who I am. Whereas with my mother it’s just the opposite – she reduces me to her picture of who I am. It’s like two opposite things – one empty and one full.

Jack: But perhaps you need to recognize that your mother needs this change too. There is a possibility that this is going to help her as well.

You can ask that if you like. Perhaps it’s not necessary – I don’t know.

Cloé: The crow says that my mother needs me.

Jack: Ah.

Cloé: And vice versa. [pause]

He wants to leave.

Jack: The crow wants to leave?

Cloé: Yes, yes.

Jack: Before he goes it would be good to thank him.

Cloé: But I don’t want him to go right away. I see that there may be other things he will be able to tell me before leaving.

Jack: I would like him to tell you something about your sleep. [Before the session began Cloé was wondering why she needed so much sleep (9 or 10 hours), and why her sleep was so deep.]

Cloé: He says I go back to my island. My island is for sleeping.

Jack: So it’s because you need it then…

Cloé: Yes, I need it because it’s difficult. My mission is difficult. I have to balance. I need to rest because I have a big job to do.

Jack: Perhaps you can ask if you can be in touch with the crow again if you need to.

Cloé: He’s going to always be there for me.

I also ask him… I feel my father. He puts me in touch with my father.

Could it be that the crow is my father?

I’m trying to make the connection. I don’t know why my father is appearing very, very strongly.

Jack: It’s because he’s really there. He’s in front of you now. That’s what is there.

Cloé: Yes, but… I don’t understand what the connection is between the crow and my father.

Jack: But perhaps it’s possible that there is no connection. The crow has just put you in touch with him. If your father is there now there must be a reason for that. You can have some communication with him.

Cloé: Is it possible that the transmission of my mission comes from my father? At the level of my genes, at the level of who I am? In this incarnation? Do our parents transmit something? A kind of deep knowledge? Or does that have nothing to do with genetics? This is a question I am asking.

I’m being told I don’t need to know that, but still I want an answer.

Jack: [chuckling] I think it’s the associative mind that wants to know.

Cloé: Yes.

Jack: That part of the mind wants to rationally analyze the whole story. But what’s important is what is in front of you now. Your father is there. It’s true that we’ve just been talking about your mission for some time. We don’t know if there’s a connection between your father and your mission. But certainly your father is an important person in your life. So you can hold that question inside you. You can ask why he is there.

Cloé: But I just asked a little while ago and the same answer comes back. It’s as if the crow replies, “I am your father.”

Jack: OK.

Cloé: A part of me wants to understand that. I’m back in the same place I was a little while ago.

Jack: No, you’re not in the same place as you were a little while ago. And there’s a part of you that knows very well how to distinguish that you’re not in the same place in this moment that you were a few moments ago with the crow.

When the crow says, “I am your father.” that doesn’t necessarily mean that he is the same person as the person who was your father in this incarnation. He is perhaps your father in the sense that he is helping you understand.

Cloé: Right.

Jack: So you are beginning to understand how your vehicle operates – the possibility of thinking, the possibility of knowing. There are things that you already know completely. You know that you have a mission.

Cloé: Yes.

Jack: That’s not something you have to calculate or figure out – you know it quite clearly.

Cloé: Yes, it’s more than just having information. I am beginning to understand that I have knowledge that not everyone has. And that because of this knowledge I have a mission. It’s not something to keep for myself.

Jack: No. Absolutely not.

Cloé: So my mission is to share it. But I can’t give what has been transmitted to me just like that. I can’t explain it to anyone. So I have to find a round about way to help people.

Jack: Yes. Indirectly.

Cloé: Yes, very indirectly.

Jack: But each time you are beside another person, there is an influence that is passed. Both ways. No matter who it is. There is an influence that is passed in both directions. Of course there are people with whom you shouldn’t spend very much time because they are violent or there’s some other thing to avoid. However, when you’re with someone you can feel whether or not there’s something open in that person.

Cloé: Yes.

Jack: And in that moment you can simply transmit – without saying anything.

Cloé: Yes, as I do with children. I work with children too you know.

Jack: Yes, that’s it. Exactly. It’s not that you conduct a communication, it’s that a communication takes place…

Cloé: Yes.

Jack: …because of who you are

Cloé: And then too, the more I go inside myself into the void, into a peacefulness, on my island, the more the communication is going to take place naturally.

Jack: Yes, naturally.

Cloé: OK.

Jack: It’s not a question of language, it’s not a question of words, it’s just a question of who you are.

Cloé: Right.

Jack: When a person learns how to be who they are, then there is an influence that extends out from that person. A constant communication. Not just with other people but also with plants, with the Earth… It’s a whole network of all these connections.

Cloé: So the whole environment, everything I touch deeply.

Jack: But it’s not that you touch it, it’s that you emanate. It has to do with your emanation. Because you are a being of light, you emanate constantly. But that’s putting something into words. Sometimes, it’s not good to put things into words because there’s a distortion.

Cloé: Yes. That happens in the silence. It’s like trying to explain the silence with words.

Jack: Yes, it’s not something that can be explained. It’s a very special state – being in the silence. And that’s where you began the session. And you know very well that it’s there in the void, in the silence, that you are truly alive.

Cloé: The crow has just left… in the same way that he arrived – making his crow sound.

[big sigh]

I get back in my boat. I’m leaving my island and I say thanks to it. I thank the crow too.

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Le Corbeau et la mission de Cloé

(In the next post you will find an English translation of this session.)

(Copyright © Jack Cain 2017, text and images)

La session avec Cloé commence avec une demande de ma part qu’elle aille a un lieu sécurisé et beau et puis de le décrire pour moi :

Cloé: C’est une île sur le lac où est-ce que j’ai grandie. Tout autour de l’île, il y a une plage de sable. Ce n’est pas une très grande île. Mais sur la plage je me sens vraiment bien couchée dans le sable, ou marcher dans le sable. Je sens la sécurité là.

Jack: Juste reste là pour un temps. Tu es en train d’absorber les influences, les impressions de ce lieu presque comme si c’était une nourriture.

La partie subconsciente de ta conscience t’a donné ce lieu qui est tellement confortable et bien en toute sécurité.

C’est quoi l’émotion qui est là pour toi dans cet endroit?

Cloé: C’est le vide. C’est le sentiment d’appartenir à la planète, à la Terre avec juste les choses de la nature autour de moi, à part le bateau dans lequel je me suis servi pour me rendre sur l’île évidemment. Mais, c’est la sécurité du vide, le silence… C’est comme quand on plonge dans le lac le silence qu’on entend quand on est dans le fond de l’eau. C’est très sécurisant pour moi. C’est le sentiment d’être rien.

Jack: Et quand tu dis « vide » j’ai l’impression que ce n’est pas un vide qui est vraiment vide. Est-ce que tu sens une vie dedans?

Cloé: Il y a tellement de vie que ça devient vide.

Jack: Ah ha.

Cloé: C’est extrêmement plein.

Jack: Oui, c’est ça.

Cloé: Mais plein de quelque chose… C’est dur à expliquer.

Jack: Peut-être ce n’est pas nécessaire d’expliquer. Peut-être c’est juste une question de rester là encore un bout de temps.

Est-ce que tu sens que tu fais partie du silence?

Cloé: Je sens que j’ai la permission de faire partie du silence. Puis je sens que j’appartiens au silence. C’est comme je suis en harmonie.

Jack: C’est important de continuer comme ça – de sentir que tu es là, que tu fais partie du silence, que tu appartiens au silence. Pour le moment, je ne crois pas qu’il soit nécessaire d’aller quelque part d’autre parce que il y a une possibilité que tu puisses trouver quelque chose dans le silence – quelque chose qui surgit ou qui se manifeste pour toi. Parce que nous sommes à la recherche de ce que c’est exactement la chose la plus importante pour Cloé aujourd’hui le 25 du mois d’août, 2017. Juste reste là et peut-être tu puisses voir s’il y a quelque chose qui arrive, la prochaine chose importante. [pause]

Cloé: C’est une image. Je n’ai pas réfléchi. J’ai vu un corbeau arriver.

Jack: Oui. Peut-être le corbeau a quelque chose à te communiquer. Il faut aller doucement.

Cloé: C’est comme si le corbeau essayait de me parler mais je ne comprends pas qu’est-ce qu’il dit.

Jack: Oui, mais il faut tout simplement demander à ta partie supérieur, une conscience supérieur qui pourrait comprendre le langage du corbeau. Et graduellement, sans pousser, ce qu’il te dit va devenir clair.

Cloé: Il m’a dit que je ne suis pas toute seule. [soupir]

Jack: Peut-être il peut expliquer ça un peu plus. Qu’est-ce que ça veut dire? Est-ce qu’il y a d’autres êtres là qui font partie d’une équipe ou quoi?

Cloé: C’est comme s’il disait que j’avais une mission à remplir – une mission importante. Je ne suis pas toute seule là-dedans. C’est comme si ceux qui m’ont envoyé en mission me protègent.

Jack: Oui.

Cloé: Je lui demande qu’est-ce que je dois faire. Il répond que je le sais déjà, que je n’ai pas à poser la question.

Jack: Est-ce que tu peux dire c’est quoi que tu sais déjà?

Cloé: C’est comme si je prends conscience que j’ai une connaissance que les autres n’ont pas. Puis, je crois qu’il faut que premièrement que j’en prenne conscience profondément. Parce que pour moi c’est difficile à comprendre que les autres ne l’ont pas. Moi, je pense que tout le monde a cela. Mais c’est comme si je reçois un message que ce n’est pas vrai que c’est tout le monde a cela.

Jack: C’est très important de constater cela.

Cloé: C’est comme si en dedans de moi il y avait une personne qui ne veut pas l’avouer que je ne suis pas comme tout le monde. Tu vois? Donc, c’est avec cet aspect-là qui est différent des autres que je dois remplir ma mission. C’est comme si j’avais un don que je dois redonner aux autres.

Je comprends des choses de la vie profondément sans les avoir apprises. Ils sont à l’intérieur de moi. Puis je sais que ça avait une saveur, une saveur de vérité profonde. Quand je ressens ça je sais que je ne me trompe pas, que ce n’est pas mon égo.

Jack: Pas du tout. Alors, tu es capable de distinguer ce que c’est l’égo et ce qui ne l’est pas.

Cloé: Oui. Je crois que oui. Il n’y a pas d’intérêt pour l’égo là-dedans. C’est comme une transmission de connaissances profondes qui vient de loin – de compréhension.

C’est comme c’est qu’il fallait que j’aide les gens de s’en aller vers cela. Puis qu’est-ce qu’il faut que j’apprenne en premier c’est de comprendre que les gens ne comprennent pas.

Jack: Oui, absolument, cette compréhension n’est pas très commune.

Et peut-être tu peux demander quels sont les étapes, les pas à prendre dans cette mission de transmettre ces connaissances à d’autres personnes. Qu’est-ce que tu dois faire?

Cloé: Oui, par quel billet je peux faire ça. Est-ce que c’est avec la profession nouvelle que je commence actuellement?

Jack: Oui, tu peux demander ça…

Cloé: Il dit oui mais pas seulement avec ça mais avec d’autres choses aussi. Il faut que je cherche dans la simplicité, ce qui est plus simple, ce qui se présente sur mon chemin.

Avec Samuel par exemple. Samuel c’est le patient Alzheimer à qui je donne soins. Il y a quelque chose à faire là.

Jack: Est-ce que tu peux préciser ce que c’est?

Cloé: Ce n’est pas clair.

Jack: Peut-être le corbeau peut expliquer plus clairement de quelle façon ta relation avec Samuel va être une partie de ton cheminement…

Cloé: C’est comme l’essence. Avec Samuel je peux être dans qui je suis réellement – dans qui je suis réellement par rapport à ma mission. OK?

Jack: Oui.

Cloé: Parce qu’avec Samuel il n’a aucun jugement. Il est juste comme un animal déstabilisé avec une ouverture. Avec Samuel je peux être vrai, je n’ai pas besoin de jouer un rôle. Ah, voilà. Donc, si je veux entrer en contact, j’ai juste à être vrai et automatiquement il y a une porte qui va s’ouvrir. Donc, c’est la même chose avec tout le monde – j’ai juste à être vrai.

Jack: Alors, avec lui tu as une apprentissage quoi – pour te préparer pour être tout à fait toi-même idéalement avec tout le monde.

Cloé: Oui.

C’est comme si les interactions d’Samuel – ce qu’il dit – c’est tellement une caricature dans le sens que ça ne fait aucun sens. Mais souvent ce que les gens disent aussi c’est la même chose, eh?

Jack: Exactement la même chose. [rires] Tout à fait, sans aucun contenu – juste des mots parlés qui ont l’air d’avoir une signification mais vraiment qui sont vides de signification. Mais ça prend une force, ça prend une stabilité en toi d’être capable d’être toi-même envers les autres. Est-ce qu’il y a d’autres choses qui pourraient t’aider à trouver la force pour être toi-même dans le monde avec n’importe qui?

Cloé: Oui, surement. Ma mère. Ma mère n’a pu m’aider. Je n’ai jamais eu une relation vraiment proche avec ma mère. Mais ma proximité avec ma mère est dans l’essence, cachée et très profonde. Mais notre relation est superficielle – pour moi.

La chose la plus difficile pour moi, c’est d’être moi-même avec ma mère, parce que j’ai toujours le rôle de la fille qu’elle voulait que je sois. Donc, si je réussi d’être vrai avec ma mère comme je le suis avec Samuel, ça pourrait m’aider beaucoup.

Jack: Alors, ce sont deux outils que tu peux utiliser – Samuel et ta mère. C’est très pratique. Bien sûr la relation avec ta mère est plus difficile parce que c’est encombrée avec une histoire, puis une vie. Mais quand même…

Cloé: Parce que c’est l’opposé d’Samuel. Samuel, il me permet d’être qui je suis. Il ne sais pas qui je suis, il ne me connaît pas d’une fois à l’autre. Donc, j’ai toute la possibilité d’être qui je suis. Tandis que ma mère c’est complètement l’inverse, elle me réduit à sa vision qu’elle a de moi. C’est comme deux opposés – un vide et un plein.

Jack: Mais, peut-être il faut reconnaître que ta mère a besoin de ce changement aussi – ce changement dans ton comportement je veux dire. Il y a une possibilité que ça va lui aider également.

Mais tu peux demander ça si tu veux. Peut-être ce n’est pas nécessaire, je ne sais pas.

Cloé: Le corbeau dit que ma mère a besoin de moi.

Jack: Ah.

Cloé: Et vice versa. [pause]

Il veut s’en aller.

Jack: Le corbeau veut s’en aller?

Cloé: Oui, oui.

Jack: Avant qu’il s’en aille, il serait bien de le remercier.

Cloé: Mais moi je ne veux pas qu’il s’en aille tout-de-suite. Je vois s’il n’y a pas d’autres choses qu’il pourra me dire avant de partir.

Jack: J’aimerais qu’il te dise quelque chose à propos de ton sommeil. [Cloé se demande avant la session pourquoi elle a besoin de tant de sommeil (9 ou 10 heures), et pourquoi ce sommeil soit si profond.]

Cloé: Il dit c’est mon retour sur l’île. C’est mon île de sommeil.

Jack: C’est parce que tu en as besoin alors…

Cloé: Oui, j’en ai besoin parce que c’est difficile. Ma mission est difficile. Il faut que j’équilibre. J’ai besoin de repos parce que j’ai un gros travail à faire.

Jack: Peut-être tu peux demander si tu peux re-contacter le corbeau si tu en as besoin.

Cloé: Il va toujours être là pour moi.

Je lui demande aussi… Je sens mon père. Il me met en contact avec mon père.

Est-ce que ça se peut que c’est mon père le corbeau ?

J’essaie de faire le lien. Je ne sais pas pourquoi mon père paraît fort, fort, fort.

Jack: Mais, c’est ce qu’il est vrai. Il est devant toi maintenant. C’est ça qui est là.

Cloé: Oui, mais… Je ne comprends pas c’est quoi le lien avec le corbeau puis mon père.

Jack: Mais peut-être c’est possible qu’il n’y a pas un lien. Le corbeau t’a mis en contact avec lui. Si ton père est là maintenant il y a une raison pour ça. Tu peux avoir une communication avec lui.

Cloé: Est-ce que ça se peut que la transmission de ma mission vient de mon père ? Au niveau de mes gènes, au niveau de qui je suis ? Au niveau de mon âme ? De mon incarnation ? Est-ce que c’est quelque chose qui se transmet avec les parents ? Une espèce de connaissance profonde ? Ou ça n’a pas de rapport avec le génétique ? C’est une question que je pose.

Bon, on me répond que je n’ai pas besoin de savoir ça, mais quand même je veux avoir une réponse.

Jack: [petits rires] Je crois que c’est la partie mentale qui veut savoir.

Cloé: Oui.

Jack: La partie mentale veut utiliser la raison pour déchiffrer toute l’histoire. Mais l’important c’est ce qui est là devant toi maintenant. Alors ton père est là. On vient de parler assez longuement à propos de ta mission, oui, c’est vrai. On ne sait pas ce que c’est la relation entre ton père et ta mission. Mais bien sûr ton père est une personne importante dans ta vie. Alors tu peux garder la question en toi. Tu peux lui demander pourquoi il est là.

Cloé: Mais je l’ai demandé tantôt puis c’est encore la même réponse qui revient. C’est comme si le corbeau répond, « Je suis ton père ».

Jack: Bon.

Cloé: Une partie de moi veut comprendre ça. Je retombe dans la même place que tantôt.

Jack: Non, tu n’es pas dans la même place que tantôt. Et il y a une partie de toi qui sait très bien distinguer que tu n’es pas dans la même place dans ce moment que tu l’étais il y a quelques minutes avec le corbeau.

Quand le corbeau dit, « Je suis ton père » ça ne veut pas dire nécessairement qu’il est la même personne que la personne qui a été ton père dans cette incarnation. Il est peut-être ton père dans le sens de t’aider à comprendre.

Cloé: Oui, Oui.

Jack: Alors, tu commences à voir maintenant le fonctionnement de ton véhicule – la possibilité de penser, la possibilité de savoir. Mais il y a des choses que tu sais déjà complètement. Tu sais que tu as une mission.

Cloé: Oui.

Jack: Ce n’est pas quelque chose à calculer ou déchiffrer – tu le sais tout clairement.

Cloé: Oui, c’est plus que j’ai des informations, j’ai des connaissances que je commence à comprendre que ce n’est pas tout le monde qui les a. Donc, par le fait de ces connaissances-là, j’ai une mission. Je ne peux garder ça pour moi.

Jack: Non. Absolument pas.

Cloé: Donc ma mission c’est de la partager. Mais je ne peux pas la donner juste comme ça ce qui m’est transmit. Je ne peux pas l’expliquer à personne. Donc, il faut juste que je trouve une façon détournée d’aider des gens.

Jack: Oui. Indirectement.

Cloé: Oui, très indirecte.

Jack: Mais chaque fois que tu es à côté d’une autre personne, il y a une influence qui passe. De chaque côté. Avec n’importe qui. Il y a une influence qui passe dans les deux directions. Bien sûr il y a des personnes avec qui tu ne devrais pas passer beaucoup de temps parce qu’il sont violentes, ou quelque chose d’autre à éviter. Mais quand tu es avec une personne tu peux sentir également s’il y a quelque chose là qui est ouvert.

Cloé: Oui.

Jack: Et en ce moment tu peux simplement transmettre – sans rien dire.

Cloé: Oui, comme je l’ai fait avec les enfants. Je travaille avec les enfants aussi là.

Jack: Oui, oui. Exact. Ce n’est pas que tu fais une communication c’est qu’une communication se fait…

Cloé: Oui.

Jack: …à cause de ce que tu es.

Cloé: Puis, plus je vais à l’intérieur de moi dans le vide, dans la paix, sur mon île, plus la communication va se faire naturellement.

Jack: Oui, naturellement.

Cloé: OK.

Jack: Ce n’est pas une question de langage, ce n’est pas une question de mots, c’est juste une question d’être qui tu es.

Cloé: Oui, oui.

Jack: Mais quand une personne apprend à être ce qu’elle est, là, il y a une influence qui sort de cette personne. Il y a une communication constante. Pas juste à d’autres personnes aussi mais à des plantes, à la Terre… C’est tout un réseau avec toutes ces connections.

Cloé: Alors, tout l’entourage, tout ce que je touche dans le fond.

Jack: Mais, ce n’est pas que tu touches mais tu émanes. C’est une émanation qui est là. Parce que tu es un être de lumière il y a une émanation constante. Mais, ça c’est mettre quelque chose en mots. Des fois, ce n’est pas bon peut-être de mettre trop de chose en mots parce qu’il y a une distorsion.

Cloé: Oui. Ça se fait par le silence. C’est comme expliquer le silence avec des mots.

Jack: Oui, ça ne s’explique pas. C’est un état très spécial – être dans le silence. Et c’est là que tu as commencé la session. Et tu sais bien que c’est être là dans le vide, dans le silence, c’est là où tu vis vraiment.

Cloé: Le corbeau vient de partir… comme il est arrivé avec un son, le son de corbeau.

[grand soupir]

Je reprends mon bateau, je vais quitter mon île en lui disant merci. Je remercie le corbeau aussi.

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Rebuilding Light Structures

(Copyright © Jack Cain 2017, text and images)

 Sergei: I’m at the edge of a big hole that opens into the earth. Now this hole is gianormous. Ha, ha. This is like whoa! But I feel safe at the edge of this cliff. I’m more like a touristy viewer at the moment. It’s unusual because I know that normally I’d be scared or there would be that feeling that you have around the edges of cliffs or tall structure buildings when you look over the edge but… Yeah, it seems like this is the kind of place I need to be at right now and just being there seems already to be recharging me in some way and we’re observing that.

It’s a circular hole into the Earth – I think. I’m not sure.

Jack: So it’s something you really can’t see the bottom of I guess?

Sergei: Yes.

Jack: And is it dark in there?

Sergei: Yeah, it’s fairly dark although… ah… it can be illuminated… ah… [chuckle] with my mind and imagination even but… It’s not a scary place. It’s just the vastness of it. There’s like an echo without sound so like it’s alive in some way and…

It seems to be a place to connect with, explore…

Jack: Yes.

Sergei: Perhaps not even physically necessarily. I might need some guidance into that.

Jack: There’s something wonderful about beginning with a place like this – it’s full of possibilities because it’s not defined yet and you are on the edge. I think it’s really important not to go too quickly and to just be there on the edge of it. Appreciate the vastness of it so that you begin to feel that something is taking place inside you just because you are there beside it.

There is, as you say, a soundless echo. There is a reverberation between you and that place. So by just staying there for a bit something begins to vibrate inside you and perhaps correspondingly a resonance is there in that vastness. And, out of that, something can begin to appear or it may be that you need to do something. Take an action or…

It is good to be close to the body – the physical body – and its breathing while at the same time you’re in that location. We need to simply ask your subconscious to be the director here.

Sergei: Yeah, well, it appears that I’m at what I would call the bottom [chuckling] of this bottomless pit and somehow there’s a light on me.

[laughing] I just find it funny.

Jack: You’re in the spotlight.

Sergei: Well, as we can see, I don’t seem to have an issue with that.

I appear to be observing myself and coming closer to myself.

I’m ah light. And I’m watching myself appear at the bottom of this pit or somewhere along the line of travel into this place. And I’m very bright. I still have human-like contours, it seems… but they might be disappearing. I’m just observing. So I was at the top. Now I’m somewhere standing on some surface.

It’s just changed in that I appear to be entering into, wandering into a…

Jack: Yes, that seems good. That seems like what needs to happen.

Sergei: I’m looking around. There is a direction. It looks like going into a throat because it’s cave-like… but there’s a sense of verticality here too.

Now, yeah, I’m looking to the left. I sense myself changing direction. Looking strongly. There’s a current, a flow.

Jack: Ah, a current. Yes.

Sergei: Yeah. It’s presented here in the sense of again being in a deep place and [sigh] the soundless sounds…

It’s almost like the flow of air in such a place is the energetic appreciation of the structure.

Anyway, I need a moment to let that be.

Jack: Yes. I don’t want us to go too quickly. You just need to take the time it takes. There’s nothing wrong with some moments of silence in the middle of this because you need to really sense where you’re going and what’s taking place.

Sergei: Yup.

Jack: And then you can just speak when there’s something to speak about. The real concentration needs to be on your participation in what’s taking place. You need to be as aware as possible. [pause]

Sergei: Well, there’s that journeying duality. There’s a bounding back and forth between this and that.

Jack: Yes, it requires a certain discipline to make sure you don’t just bounce straight back into the ordinary mind and start commenting on it all. There has to be a focus on the journey. Because you’re going somewhere.

Sergei: All right.

Jack: And it’s a natural process for the mind to jump back and forth like that. It’s just how we’re built. [pause]

Sergei: [sigh]

Jack: And it’s very simple in a way because we just need to move on to whatever the next important thing in the journey is. But you need to feel comfortable with that too. It’s ok to stop for a while in different places. [pause]

Sergei: Yeah, I’m not afraid of the dark. I’m being shown places that are… hmm… I think there are things there but there aren’t.

[chuckle] I just mean it is correct not to be afraid of the dark… in all those ways [sigh] that I have been.

Jack: Yes. That’s right.

Sergei: In a way, there’s nothing there although it is alive and it is communicating right now.

Jack: Yes. So it’s the communication that’s important of course. And there may be a form that appears and there may not. But you can feel the presence.

Sergei: Yeah. So within the richness of that… [pause]

Interesting. It’s like something is breathing through me. Even through my throat, almost as a secondary breath. And through my system.

Jack: Yes, that’s usually a sign of a transition taking place. And it’s good to stay very close to the breath. Because it is a different breath. It is a different breathing really. As you enter into this. [pause]

Sergei: Yeah, I might be de-materializing or re-integrating into the matter that I’m breathing with.

Jack: Yes. Yes. And usually this is necessary for you to move further in this new environment. It requires a change of state. So it’s just happening very naturally. You’re built to be able to do this. But it is using capacities that are not used very often. [pause]

Sergei: [big breath in] OK. Now I’m a part of the whole. I’m what allows it to have the passage of… I allow it to be a passage. And by that I can therefore… It is possible to be… anywhere with it. There are still some moments to go.

Jack: Yes, take your time. [pause]

Sergei: [voice now much quieter] It seems I need to be more gentle. Just re-calibrating. [pause]

Maybe I’ll speak in keywords. There’s pulsation that… pulsation… allowing… connection… there’s a focusing… crystal – yeah… crystal building… Before building a crystal it can be mind mapped. [pause] All right… The architecture of it. Ah.

In this place of new sensitivities we work together to…

[chuckle] It’s almost like working with our eyes to draw lines in space which form the crystals. [chuckle] [pause] [laughing]

Just coming close to myself looking at what appears to be working in the dark and the eyes having [bursting into laughter] laser beams. It’s not funny. I’m laughing but it’s just a feel-good thing and there’s an exploration into re-discovering that.

Jack: Yeah, well, the vision is working differently. It’s a different apparatus and a different situation.

Sergei: [sigh] So the mission is on focusing. [sigh]

We’re rebuilding the light structures, the light infrastructures. That is the way that it can be presented in words. It’s on a different plane of matter but, in order to focus, Sergei needs to have this work correspondingly done within himself which has to do with the physics of light in structures that allow for light manipulation such as cameras, microscopes, telescopes. In a similar way the plane on which this work is done has light work inside a human being… [pause]

Right. There are surfaces in various planes which, in order to have a connective property, such as the flow of soundless sound through the deep structure… In other words, in order for Sergei to thrive with the sensitivities, the light infrastructures are now being worked on. This is something he does on another plane as well. Kind of like a work in which one can specialize, and sometimes one forgets to do that work for oneself. [pause]

Jack: Do you have any sense of where this work is being directed from?

Sergei: It appeared to be a tunnel at first with a light at the end. But now it appears to be actually a planet of sorts illuminated like a moon. It’s correct to say that it’s just a node. In other words there’s a vast expanse of co-direction from the Source.

Jack: OK. Good. I felt it was important to check that. It sounds perfect.

Sergei: Now there is a brief image of what appears to be an old friend from space with the horns – a kind of royal figure I’ve met before.

Jack: In this circumstance there may be some communication that can take place. [long pause]

Sergei: I’m there resting now in this white palace with a friend for a moment.

Jack: That’s fine.

Sergei: It seems I may have been away for a while. But it’s a common place.

Jack: Common? In what sense? You’ve been there before? Is that what you mean?

Sergei: Yeah, I’m not even interested in the palace. It’s more like gladness to have a moment with a friend who seems to be the main inhabitant. He’s very tall. [pause]

Yeah, it’s in the clouds. [pause]

I had turned around to see the view. That is why I know we are in the clouds. And there is beautiful greenery, countryside. Perhaps a few miles up. No a little bit less. Sunny day. [sigh]

Jack: Nice.

Sergei: We’re at tea, discussing something. Not really drinking tea. It just feels like teatime.

Jack: Yeah. Teatime in the sense of a pleasant exchange. [pause]

Sergei: There was an exchange about bones and who’s passing on. In the sense of [pause] just the observation [sigh] of that transition. [pause]

Who’s working on what.

Now it’s as if we are watching or focused on some unknown entity. Dark… Dark… a black figure – not by skin but… a black figure. It’s almost as if we’re watching the equivalent of a transmission of the whereabouts and we’re just observing. [pause]

I seem to be learning about a particular type of being – learning to identify them for what they are. That’s all. It’s like a kind of help that I’ve come here for.

Jack: It’s reminding me of a quotation I have from the Nag Hammadi texts that I have placed in front of me at my desk: “Recognize what is in your sight and that which is hidden from you will become plain to you.”

Recognize.

Sergei: Yeah. Yes. There’s more to that. It depends on the meaning of re-cognize. [sigh] Because there’s a sense of purity in cognition itself which can be instantaneous. [pause]

Jack: Is the dark figure still there or have you moved on to something else?

Sergei: In that vision we were observing a demonstration of its being-ness and then it flew off.

And now we’re exchanging on the fact that this personal transparency is concurrent with being able to simply observe that which can be recognized. And this is done within the physical body that one has here on Earth as a human. There is a breathing, a breathing through it. [pause]

One can generate one’s own heat. [pause]

  1. I thank him.

Jack: Your tall friend there, you mean?

Sergei: Yeah.

Wow. It feels like in order to go back, I, the body needed to get really heavy.

Jack: Yes. That’s usually what happens in this transition period. Yes, the body re-asserts itself after about this amount of time. It’s not possible to be out of it for too long. It has its needs and it is our current condition of being incarnated so… I think that has to be respected. So… just watch what’s happening. [pause]

Sergei: There’s now a possibility to go deeper.

Jack: Good. [pause]

Sergei: I might be able to view some information from the past – with guidance. There appears to be a spillage of ink. [whispered]

Jack: Yes, if it’s important to see something from the past right now then it’s just a matter of focus.

Sergei: There appears to be a female friend with curvy outlines which I’m looking at. Possibly she might be lying on the bed in front of me but it’s dark. It’s more of the appreciation. Oh. It seems to be a past partner perhaps.

Jack: Does something need to be communicated between you? I mean something already is – but something more?

Sergei: How does one say one is sorry?

Jack: I think you just need to feel it rather than say it. It will be communicated. [pause] [tears?]

Sergei: Yeah. I feel it. It’s felt. I don’t know… [sigh] Right. It seems in the awakened sensitivity it’s possible for me to cry right now and really feel that I may have hurt someone or that there’s some… or that there’s some… Right. A kind of blockage due to un-resolved-ness. But… [sigh] I’m to remain with the feeling.

Jack: Yes, I think it’s important to remain with the feeling because it is releasing something. The blockage would be due to an unreleased feeling.

There’s an expression of it in your body and in your breathing probably. So… there can be a release there. As long as you’re not beating yourself up about it.

Sergei: Yeah.

Jack: But it’s good to have that movement in the emotional center. It frees up some space. Clears away certain things. Which was one of your goals for the session. [pause]

So what’s the next thing we need to move towards? Is there another goal? Or is there something neither of us have thought about that needs to be brought into focus? [long pause]

Sergei: Just a bit more time.

Jack: That’s fine. [long pause]

 

[Note: Here the dialogue switches. It is now the Higher Self speaking through Sergei about Sergei.]

 

Sergei: Yes. There’s something about how Sergei can expand his behindness with the field behind himself in the same sense as when one says, “Put your back into it.” There is a sense of forwardlookingness when one can look around oneself as if having a sense which can be used to feel all around oneself including behind oneself.

Jack: Right.

Sergei: The strength in the back isn’t only physical. Sergei tends to place himself in wonderfully difficult places because he’s able to do that with another body and another place where there isn’t physicality. But placing oneself under a huge wave is not the same on this plane as it can be somewhere else. Here, there’s a responsibility for the physicality of it. You will have the wave crush you if you’re under the wave with your physical body. Bringing your back into it can be a helpful reminder.

Stop observing and jump in. [chuckle]

Jack: Well. That is what you did in this session. It is about learning how to do that. Instead of holding back. Don’t hold back. Just put you back into it. [pause]

Sergei: Yeah. It’s important for Sergei to maintain what he knows is himself. There are many around him who currently do not resonate in the same way. They are just on a different part of the path.

Jack: Yes. But perhaps he needs to have one or two people who do resonate this way. It is important to find and foster that.

Sergei: That can be found within the work.

Jack: Do you mean the Gurdjieff work or just work in general?

Sergei: Both in life and that which is taught in the Gurdjieff work. But it’s meant to be played out in daily life.

Jack: Yes. Absolutely.

Sergei: So… It is true that the work resonates in both. But there’s more of an affinity for Sergei to find that outside of the Gurdjieff work while having it within as well. But the answer to the question is outside.

Jack: In life. It’s in life but there’s stuff taking place inside you at the same time of course. There’s a correspondence. [pause]

Sergei: There are some questions being answered. [pause]

For Sergei there’s a great difficulty in working on things, on questions by oneself. In his case he benefits by sharing the work. But that is a benefit for all; because he shares this as well.

Just a moment. [pause]

 

[Note: Here the dialogue switches again. Now it is no longer the Higher Self speaking through Sergei about Sergei but rather some group intelligence using the pronoun “we” asking Jack to take some specific action for Sergei’s benefit.]

 

Jack, we need you to guide him through something that would be beneficial from that side so he knows that it’s in the moments where he’s still that he can find his friends. But perhaps from your experience you might know what that means. He’s able to at least enter and invite and meet the affinite ones but there’s a tendency to lose the connection whether now or in the future. That’s his line of work to maintain the connection by seeing how alive the body can be – the physical body.

Jack: Right. [pause]

Yes, it was said somewhere recently that the physical body is not important per se but what you do with it is important.

So I think there’s a sense in which Sergei needs to connect to the importance of the body in relationship to the work he’s being asked to do, his mission. So maybe it would be good – especially right now – to feel a connection to the back – that’s already been given as a part of this. But can there be a connection to the back when Sergei is talking to somebody? – anybody – because it does get lost there.

The back is the axis of stability. If you don’t put your back into it, not very much is possible. So, there definitely needs to be a focus which can be continued after this session. Practice coming back to the back often – especially in relationship to each person in Sergei’s life. Sense the back. Be close to the back. And with the question, the implicit question: Is the affinity present or absent? Is it weak or strong? In doing this there can be a learning? The direction in life can be clearer.

Plus there’s a connection between the breathing and the back. It can be felt right now in this moment.

Maybe there still needs to be some diversion, some lightness as well. It’s not good to be too heavy. So maybe some badass relationships are ok but in general there is a mission at stake here which is unfolding as it should. But it would be really good for the ordinary consciousness to know something about it – which it will do now from having had the session. And there’s a sound recording also.

There is something to be learned here about relationship – not easy on this planet. It is much easier off this planet. But Sergei is here for a purpose so this is something that needs to be learned very deeply. And it’s very helpful that the higher consciousness knows that and communicates it.

Sergei: We thank you. We thank you and yes, this event can be moved on now.

Jack: Yes, I think we need to draw the event to a close.

Posted in Hypnosis | Tagged , , , , , | 1 Comment

Suffering

(Copyright © Jack Cain 2017, text and images)

Alfred: In the last session I experienced the agony of separation when suffering a total loss. There was something that could not separate, that could not differentiate because it didn’t have the necessary or required refinement in perception of what constitutes a loss on the functional level. The source of the agony is proceeding from the ordinary mind which projects the loss of connection on the source.

Jack: There’s so much that happened there!

Alfred: What was given was actually a direct teaching that the unbearable feeling of loss, of total loss, of being unable to go on, was the opening that was needed in order to make contact with the source. In such a case, I am penetrated by the higher perspective and there is no separation, no loss.

Jack: I was speaking to a client yesterday about our dual nature. We are definitely human with lots of attachments and then another part of us, in another body, can be in a completely different place.

Alfred: Yes.

Jack: We have to somehow find this line in between the two. We don’t want to fall completely into either.

Alfred: Exactly

Jack: If we fall completely into the other reality, we’re not incarnated any more – we’re not participating in what we’re supposed to be doing here. On the other hand, if we fall completely into the planetary body and the emotions… And we do – all the time.

Alfred: Yes.

Jack: We then find ourselves completely tied up in knots about something.

Alfred: What you’re saying is important in the sense that it highlights the fact that the contact between those two natures is suffering. We are suffering because we have two natures – it’s built into our existence. This can give a very different view about suffering.

That resonance of suffering that we all share puts us really in the same boat with everyone around us. [pause]

At times I am stuck and at other times, thanks to our guides, I am unstuck. I can feel things become deeper and heavier but when I see from that luminous place where this is recognized there is no separation – all is lawfully coexisting.

Jack: Exactly. You’ve certainly had moments when the separation, the suffering was not there at all.

Alfred: When everything is permeated by this fine vibration, the word “suffering” is completely unfitting to describe the experience.

Jack: Yes, because then you’re really somewhere else.

I’ve sometimes felt that the suffering was a kind of fire – a burning away of something that needs to be burned away inside. When that takes place, there’s a freedom to move into this other space. You can’t move as long as you’re taken by whatever it is that you’re suffering.

[pause]

Alfred: It feels right to accept being in this body with all its tensions and densities, to just be with it.

Jack: At the same time my sense is that something has begun – a process has begun. [pause]

Alfred: I’m asking the body to cooperate… like a baby or like a dog that is terribly worried about being abandoned. So, there’s a certain need to be with it. It needs to receive a certain acceptance which then allows it to relax and to open up even when it doesn’t know what it is opening to. [pause]

The need to know is diminished.

And with that there’s a certain benevolent, unknown, perhaps stellar darkness that is present. [pause]

Much more willingly than any time before, something in me is accepting the recognition that the display of random images is not where the movement is. It’s like being on a train – you can be taken by the passing landscapes or you can be one with the movement of the train and know that you are travelling. So here I need to focus on the movement of transition and not be distracted. [pause]

The breath seems to take over and do its own breathing. [pause]

It’s very hard to describe this huge structure on the side of a mountain where there are people living. I’m looking at a place that has a lot of domes over some kind of structure.

Jack: Transparent domes?

Alfred: No, they seem to be golden. [pause]

A moment ago, something from within my experience, a kind of helper was encouraging me to pay attention to everything. [pause]

It seems very important to pay attention to feeling. That’s the guidance. How to balance all those visuals which are very striking but they can be distracting. [pause]

Jack: Yes, I think the feelings help in making sure you’re on the right track or direction.

Alfred: The heart is more present now – in its rhythm. There is a kind of trust in the guidance from the heart. [pause]

There’s a gentle discipline applied to not falling into images and fragments and just staying with the question of how to come closer. How to stay just with that sense of the proximity to some guidance and connection. It’s like a part that is moving towards the whole. Or opening to the whole. Like a planet moving towards its sun. [pause]

That familiar sense of the head insisting to lead. I need to allow that and not fight it.

Jack: Yes, just ignore it; don’t fight it.

Alfred: I’m moving within a whole circulatory system. It’s like being a particle within an infinitely intricate systems of vessels – a circulatory system in which I’m a particle. I have a sense that I’m moving in a liquid. I can see it all around me. I’m within it and outside of it.

The walls of the vessels are transparent but the transparency varies with my ability to concentrate. When I lose my focus they become opaque and I can no longer find my direction. [pause]

Again, this transition through a dream-like state. I’m not looking at it – it has passed. I continue to be in question.

Jack: And the connection to the heart, to feeling – is that still strong?

Alfred: It fluctuates but it’s still there. There are moments when the head seem to take over the heart. And I fall for that so I need to be very vigilant.

The discernment of the heart and the mind are sometimes difficult. But now I’m closer to the heart.

Jack: Good. [pause]

Alfred: There’s a clear need to let go of this wish to make something happen. I see this as a big obstacle right now. The last session was so striking that there’s a wish to replicate it. So I’m not entirely sincere or open at this moment.

Jack: Well, I think the heart needs to tell you what you need to move towards.

Alfred: Yes. There are some twinges of fear more present now and that affirms moving closer to something more real. [pause]

There’s the very strong grasp of a fear like claustrophobia. Of being entombed. I see a barrier to entering a dark place. It’s like a fear of death, very specifically. I just need to stay with that. [pause]

Something lets go now.

Jack: Ah.

Alfred: It’s like the heart is beginning to connect to another circulation. [pause]

There’s a kind of happiness at finding this blue medium again. It’s a little lighter than the usual dark blue. It seems to be my home, my base and my nutrients all in one.

Jack: Are you just aware of that now.

Alfred: Yes. It’s appearing now. It’s like an atmosphere. A liquid atmosphere.

The constriction of the heart is gradually loosening. Expanding. And the body is breathed by this blue materiality.

There’s a part of me that recognizes the same difficulty of passing through this gate of death so to speak. And it complains: “Why can’t it be easier?” Nothing that I know is helping.

It is like being under water and breathing – from the mind’s point of view. The body has absolutely no problem. This other body that I’m in here and now.

There’s light coming in. It’s like coming from a depth of water into the light. [pause]

I’m not quite ready to receive the light. It’s overwhelmingly blinding. [pause]

The head is very alive with vibration now. [pause]

It is given information, instructions which I cannot report about. It’s not something that language can…

Jack: More like a download?

Alfred: Yes. It needs to be given time and space.

Jack: Yes. Of course. [pause]

Alfred: There’s the beginning of a feeling of gratitude. As if I’m joining a gathering in a big dome. All of this preparation has made me worthy or able to participate in that. A perfectly round dome. Enormous. A gathering of people sitting.

It seems like that dome has a particular purpose – perhaps to concentrate vibrations. [pause]

I notice a constriction around the heart. It is very telling – almost like a reminder of that fear. I need to be very sensitive to that because what preceded it was a kind of realization that I have a part to play in this gathering. Maybe an important part. And then there was that constriction, almost a flinching from that – like a fear. As if I’m refusing to take my place. Or that I’m fearful of taking my place. [pause]

Jack: But there’s a part of you that knows what your place is…

Alfred: Yes. And it feels like I know something that I claim not to know.

Jack: Exactly.

Alfred: Unless I accept that, there’s no movement forward. There’s no other choice. That’s what needs to happen. There’s an image of a kind of procedure or surgery – some technical knowledge that I have received and that I need to apply. It has great importance I think. I’m taking my place on the dais there next to other personages, people of some authority. They seem to recognize me, accept me and make room for me. And with that, the constriction around the heart is releasing.

This might be the right time to ask for guidance. I feel like I need help in trusting what is required of me. To trust what was given to me to do. So I ask for that for the benefit of whoever might be benefitting from this action that I need to take. [pause]

The feeling is that if I was clearer about my heart and what needs to take place, I would not be conflicted about having to perhaps condemn or abandon… making some kind of judgment or action that will take life out of some people. I don’t have a better way of saying that. Something that will determine the fate of others which is difficult because I know them well and care about them. In some ways, I see them as the people or the creatures or the beings that I know, and I cannot do what is right. I’m seeking, praying for a vision that will allow me to see through those appearances. The appearances obscure the action that needs to take place. It’s so clear. [pause]

It’s like everything that was solid is beginning to vibrate and turn into particles. [pause]

Jack: And inside you what is happening?

Alfred: There’s a greater clarity about certain blockages or dark places where vibrations will not flow. They require some direction. [pause]

I’m not connected enough to the source to take this action.

From this state where there was this sense of a barrier, now there is no longer a barrier. It’s a total change of perspective – one that is not of my doing, not coming from my desperate striving. Light is coming through. Blinding light. Or golden. And there’s a crimson in it. [pause]

I’m beginning to see the crown. There’s an expression of gratitude towards me which touches me very deeply. [pause]

It’s no different than the previous session except that this time it’s experienced from the side of the savior and there’s no difference. Looking at the altar that is now empty from the eye of the one who transmuted that child. With only a little resistance. The whole company is seeing endless light both individuals and particles, vibrations.

Jack: When you say the whole company you mean everyone under this dome?

Alfred: Yes, exactly. [pause]

It’s like my body, my physical body is making itself known, lying here, simultaneous with that scene still there. It’s not there and here, they are both here.

And there’s a beginning dread and agony of knowing that this will dissipate as I speak. It’s very important for me to not lose touch with the heart.

Jack: Yes, and I think also to know that apparently immovable obstacles can be overcome.

Alfred: There’s clearly a need for a whole new relationship with the heart. The heart is much closer to the source than the mind. [pause]

Other postings in this series: Bodies, Bluish, The Cosmic Cleanup Team, The Joy of Taking My Place, Rescue & Ascension, A Continuity of Being, Creation, Rescue, The Empty Seat at the Table, Toxic Green, Pristine Stillness, What is Breathing?, Merging with the Light, The Alchemy of Transmuting Blue to White, Ascension, Montségur, Flood, Connecting Upward, The Thread, Ruby Eyes, Montségur 2, Quetzalcoatl, What We Have Bodies For, Slave Ships, Planetary Signs and Universal Perspectives, The Altar of Gold, The Breath Can Touch the Mind, The Battlefield That Has No End, The Quick and the Dead, The Relay Station, There Is No Difference, The Uninterrupted Chain of Beings Ascending, Adjusting a Planet’s Orbit, Our Living Planet, Body and Soul, In the Situation Room, Dark Blue Stellar Material, A Luminous Source, Where Life Resides, Suffering.

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Where Life Resides

(Copyright © Jack Cain 2017, text and images)

Alfred: It’s almost as if the mind is re-setting. All kinds of fragments and associations of the day are discharged and have to pass – like waste material. So that something can empty and begin to open up or lead to some different kind activity in the head brain. [pause]

A very familiar sensation. The body on the couch is also a body but there’s a body floating above it that is horizontal. It’s not the same body as the body on the couch. It’s half in light and half in darkness. Equally. Horizontally. With darkness above it.

Jack: And I think what’s very significant is you’re able to speak about that without disturbing the perception. It takes time and practice to be able to do that.

Alfred: Yes. [pause]

There is a clear sense of a need to let go further to allow the body to completely transform. And some trepidation, reluctance in the chest area. It seems to hold back. No, maybe it’s the opposite; maybe something is waking up in the chest.

Now there seems to be a very strong sensation at the top of the head and in the solar plexus as if there’s a kind of communication that’s being established between these two centers.

Jack: Good.

Alfred: It seems as though the floating body is gaining in substance.

A new kind of confidence is not rushing and is letting the process really take whatever time it takes. [pause]

The heaven above reminds me of a very deep blue like before sunset, before it gets completely dark. Very alive. I’m clearly part of that. It feels I belong in that medium. [pause]

There’s no fear. [intonation of surprise or wonder]

There’s a kind of trust in waiting which is a new experience.

Jack: Yes, and it’s good there’s no fear. That’s been a real obstacle before.

Alfred: Yes. [pause]

I glimpse occasionally how fear doesn’t belong in an experience like that. But it’s more a lack of skill, a lack of familiarity that is creating the fear. Fear is not from within that experience. It’s quite natural to be open to this kind of influence. [pause]

It’s almost like I’m identifying all the natural organs or apparatuses that are there for the purpose of transitioning to a different body, a different way of being. And a question is really emerging about the aim of that. And with that, in a natural way, it progresses to a more and more sincere question about guidance, about a wish to serve this… to put this state at the service of something that is necessary. So I’m asking for guidance or a guide to…

Jack: …yes, that’s good…

Alfred: …to help, because otherwise it can be lost on some kind of titillation rather than serving something for which it is designated and is necessary.

Jack: I’m reminded of the time you were told by one of the blue beings, “I can’t meet you unless you at least come to here.”

Alfred: Yes.

Jack: It’s very good that you’re asking again right here specifically.

Alfred: It’s very close to exactly what I was feeling. Have I gone as far as I need to? Have I made enough of a journey so that I can honestly and sincerely ask for help? [pause]

There’s a feeling that begins to awaken in the contact with a profound lack. [pause] I’m being shown how the holding in my back, in areas of the body where I wasn’t aware that there were certain tensions and how a kind of grasping are the obstacles that must be let go of. [pause]

Hmm. A light is beginning to come in. It’s like a whole different level of emptiness. It is necessary to receive that. [pause]

It’s interesting that, while I wasn’t considering myself empty enough, a light is being received as if it’s more available and generous than I would have expected. It almost feels like it is searching me more than I am searching for it. [pause]

It’s now that the breathing begins to be important. [pause]

The head vibrates strongly. [long pause]

I saw someone in a crimson gown… a gown, a robe… shimmering… approaching… It’s like a meeting point of three dimensions. Just on that point I see it. At a distance but approximating a point where the three dimensions of the cube meet.

It’s kind of identical to the image of Jesus in Toledo cathedral, except that it looks alive. [pause]

It feels like a very steep kind of way to get to him – those dimensional lines… inside a cube… With him at one corner. [pause]

It’s interesting that my feet seem to be not my feet. They have sandals. Like Biblical sandals. I see the edges of a white robe that I’m wearing – it has a gold margin on it.

Jack: As if as you proceed the vision becomes clearer – you see more.

Alfred: Yes. Something begins to become more concentrated in the experience.

Very different feet. Feet that are calloused and used to walking on rocks.

Jack: Used in a very different way than the current ones.

Alfred: Yes. It’s as if I’m carrying something. [intonation of surprise] I’m really going to focus on the sensation.

Jack: Yes. Just concentrate on the sensation I would say. [pause]

Alfred: The progression towards the Jesus person in the crimson robes – luminous – is very specifically, very precisely downwards, as if I’m descending from a mountain. My feet are very skilled in following some kind of track, a trail that is not very well marked with rocks. It’s desert type of place. I have a very strong impulse to say it’s Mount Sinai, Jebel Musa. I feel a kind of familiarity with that scenery. Almost a kind of coming down with the tablets from the mountain… the mind is kind of…

Jack: Yes, the mind may provide that but you have the sensation of carrying something nevertheless, right?

Alfred: Something is carried and it’s carried very carefully and precisely. Great responsibility to bring it down to that person who expects me at the end of that cube.

Jack: Ah! So there’s still a sense of the cube?

Alfred: Yes. It feels like moving inside a dimension of time. Like the all-quarter-maintainer of that particular quarter of the universe.

The body feels very strong and sure of its footing.

It’s a white robe that wraps my head as well. I sense that.

Jack: Yes, you need those kind of clothes in that environment. [pause]

Alfred: It seems like what I’m carrying is more like a body of someone, something. Feelings begin to come. Feelings of sadness, deep sadness. Someone who I care deeply about may have passed – the one I’m carrying. It could be a younger person, a child; it could be another adult.

Jack: Yes, it may gradually become clear who it is.

And are you carrying it towards this other figure?

Alfred: Yes. I say a Jesus-type figure. I am serving in some way. There is a clear intention. I am bringing it to him for a particular ritual or procedure – something that is essential to provide a safe passage for that spirit.

Failing is not an option. No matter how long the path is. The feet are sure. There’s a certain wisdom or skillfulness in the body that knows exactly what needs to happen. And how I need to bring that body before him.

Jack: Good.

Alfred: There’s a stronger vibration and light as I approach. There is great grief. Perhaps a child. My images go ahead of my words.

Jack: Careful.

Alfred: I’m seeing the images. The child is being laid down on the altar. The child body.

His eyes turn to me… Jesus’ eyes… that holy person’s eyes turn towards me with this compassion, deep compassion. [voice shaking] It pierces my heart. All three are so one. [pause]

There’s a simultaneous complete clarity about the need to let go of that boy and complete confidence that his passage will be assured in some way. All the hopes and all the love that I have for this child have to be let go. [crying]

I’m able to stay with that, thanks to this ongoing look that keeps me right there on that spot. [pause]

The solidity of the body of that child seems lessened… more and more… gradually it vanishes in a natural way. The altar seems to be empty.

I’m given so much and so much is taken at the same time.

It’s letting the heart remain open. [pause]

I see that the memory of that look is almost replacing that look of the Christ, of that sacred individual. As if I still cling to that and as if something is being instructed. It’s available to you only when everything else is lost. And now you don’t need that. It’s like calling it in vain. In vain.

Jack: So that’s a specific instruction.

Alfred: Yes.

Jack: Very clear. And reduces in no way the value of what you received.

Alfred: No. Not at all. It even amplifies it. Clarifying when it’s available and when it’s not. What the conditions are under which this benevolence, this benediction is there for me. [pause]

It feels like I’m gradually coming down from that experience in a very particular way. With a… coming up… It’s not clear but… This is like… a shell of this body that needs to be tended to and carried along although it’s not where life resides. This is not what is alive. But it needs to be carried around and… although, in spite of the fact that life, prior to this, has lost its purpose. [intonation of depression] It cannot be about what it was prior to what I just experienced. There’s a reluctance. There’s an agony about the lost contact with the source.

Jack: Do you want to ask for some guidance about that?

Alfred: Yes.

Please. Show yourself to me. I can’t go on. [pause]

I receive help. The pain I took for estrangement is the connection. So clearly. [pause]

What a gift!

Jack: Yes!

Other postings in this series: Bodies, Bluish, The Cosmic Cleanup Team, The Joy of Taking My Place, Rescue & Ascension, A Continuity of Being, Creation, Rescue, The Empty Seat at the Table, Toxic Green, Pristine Stillness, What is Breathing?, Merging with the Light, The Alchemy of Transmuting Blue to White, Ascension, Montségur, Flood, Connecting Upward, The Thread, Ruby Eyes, Montségur 2, Quetzalcoatl, What We Have Bodies For, Slave Ships, Planetary Signs and Universal Perspectives, The Altar of Gold, The Breath Can Touch the Mind, The Battlefield That Has No End, The Quick and the Dead, The Relay Station, There Is No Difference, The Uninterrupted Chain of Beings Ascending, Adjusting a Planet’s Orbit, Our Living Planet, Body and Soul, In the Situation Room, Dark Blue Stellar Material, A Luminous Source, Where Life Resides.

 

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A Luminous Source

(Copyright © Jack Cain 2017, text and images)

Alfred: It helps – what you described in sensing the contact with what is around us. It allows the sensing to expand to include everything – all surfaces.

Jack: Yes, it’s also reminiscent of your sensing the trees in the last session.

Alfred: The kind of process that we are familiar with – the gathering – the parts coming together, joining. It needs its own time. [pause]

Jack: Yes, it’s an allowing so that gathering can take place, but at the same time something inside needs to be very active too.

Alfred: It’s the sensing of the breath as fluid as I mentioned last session. It’s a quality of breathing that feels much more fluid than gaseous. It is consistent with the image of the river.

Jack: And consistent with your very first session where you were breathing a fluid.

Alfred: That’s exactly what I was thinking too.

I think that quality is like being surrounded by liquid, by being immersed in what feels like fluid. It’s a living medium. Almost like a placenta.

From the mind point of view it can be very simple. Once that environment is experienced as sustaining, it becomes sustaining.

Jack: But something is required from you for you to experience that.

Alfred: Yes.

Jack: The attention has to be on the exchange that is taking place – on the in-breath and the out-breath. [long pause]

Alfred: There’s a natural relaxation of that need to distinguish in-breath from out-breath. There’s just breath. [pause]

The surface of the body becomes porous and sensitive. Quite naturally. [pause]

Jack: Even though there’s no sense of distinction between in-breath and out-breath there’s still a sense of participation would you say?

Alfred: Yes. The participation is very different. There’s a certain presence to this process that is being concentrated as this process is deepening. The presence, the awareness, the witnessing. [pause]

It’s almost as if the breathing in is of that blue quality. Or that the process of breathing is like taking in something of that sky-blue, dark sky-blue, when it’s almost completely dark – at dusk.

Jack: Right. Yes, there’s a particular quality. [pause]

Alfred: The remaining tensions in the body are more and more clearly places where something is not yet giving up, or surrendering. And it cannot be rushed. It’s not my mind that can make that happen. [pause]

Jack: No.

Alfred: The same kind of expansion of the two bodies. The planetary body is now doing exactly what it’s designed to do which is to sustain life but there is a much wider envelope of sensation that continues to expand. More and more coexistence of those two, interrupted by the physical body clinging to primacy.

Jack: At the same time there’s a connection of some kind – the call of this dark blue stellar material… It seems to always come into the picture at about this point. It’s interesting how that expansion is connected to it. [pause]

Alfred: It introduces this much finer – infinitely finer – materiality which makes all those boundaries and activities quite transparent and where the sense of me is no longer delineated by the physical body. [pause]

It is like all those convictions of where my body is and what it is made of are fading. My usual understanding is almost like a fog that is vanishing in the light of the sun.

But the mind does not let go easily. It still has a grasp on the insistence of knowing something about me but it is very peripheral and is subordinate to this larger expansion. [pause]

It feels like these are the necessary preliminaries to asking for help – to have the feelings begin to bring a sense of direction.

Jack: Yes, you were very active last time in asking for something so…

Alfred: And I feel on the threshold of that but…

Jack: Yes, it has to feel right.

Alfred: … not quite ready, not quite worthy of receiving help…

Jack: You said last time too that the vibration has to be at the right level or there’s no point.

Alfred: Yes. Yes. As long as there’s something else that claims to answer, there’s no point in asking.

Jack: Ah, yes, something else claims…

Alfred: The doppelgänger

Jack: Yes, the pretender to the throne.

Alfred: It’s there and as long as it’s around, there’s no point in really…

Jack: But it’s a matter of focus then – just following that focus. Still, that’s easier said than done.

Alfred: But it’s not by rejecting it; it’s by gradually becoming more sensitive to finer and finer resolutions so that what’s solid in one moment becomes porous in the next.

But it’s also a certain kind of relaxation that becomes very deep in the body. It’s like a trust.

Jack: The body is not abandoned, it’s just set asideallowed to rest.

Alfred: Discovering different tensions in different peripheries that were not apparent before. Part of the mind is also claiming readiness when it’s unclear. [pause]

The abdomen becomes a center of sincerity. [pause]

A change in the light – as if a different type of light becomes available. [pause]

It feels right to ask for help in pursuing this thread of truth which now begins to make itself known. Asking for help to come closer and closer to this truth as it’s being revealed so that I know what is required. [pause]

I’m being shown that what I’m requesting is already here. The intensity of the light is here and I haven’t perceived it.

Jack: But by asking you begin to be able to do so?

Alfred: The asking clears the obstacles on my side of this process. Fear and constriction around the heart.

It’s the kind of suffering that I never understand until I face it… the inability… the density.

Very strong image in the head. Very strong vibration in the head and in the heart. Like a mutual attunement, a tuning. [pause]

Something is opening up in the feeling. Gratitude. [pause]

Feeling guided, feeling that I belong to this process. [pause]

The habit to manipulate is there at all times but tolerated and not acted upon. [pause]

It’s like the barrier, the obstacle, the obstruction between the heart and the mind is very clear. Under the sternum some paths are not clear. But it’s so much clearer how this is the nature of the obstacle here. There is a glimpse – what if the mind and the heart were one? The force that this might give.

So that there’s nothing that is known that is not felt, and there’s nothing that is felt that is not known. [pause]

I can see how in a very ordinary way – I mentioned this last time – it borders on the fear of having a heart attack. A kind of ordinary, physiological constriction that is associated with past trauma. But I can be on the edge of that without being completely blocked by that fear.

Jack: Do you think you need to ask for some help to let it go more completely?

Alfred: It feels like the help is offered from the mind. The mind seems to work its way towards the heart in a way that is not taken by the constriction in the heart. It seems to permeate the pericardium.

It’s such a familiar fear of crossing over there. A fear that there won’t be anything that will be able to claim separateness. There is such a longing for that separateness and such a fear. Just allowing that to be as it is. But staying on both sides of it. [pause]

It’s so interesting what you said earlier about the need to remain active. That is so true at this level too.

Jack: Yes, I think so.

Alfred: In a sense, the attention naturally tends again towards the abdomen. There’s a need for further deepening and nourishment for this process that comes from that source. [pause]

Jack: It takes guts.

Alfred: It’s so clear Jack. There’s a kind of irreconcilable impasse between the vibration of the mind and the emotions. There is a need for a much finer reconciling force.

It’s a voluntary suffering that is needed. Another kind of shedding. [pause]

There’s a regaining of a lost ability of resting in a high vibrational state. A more unifying vibration along the whole system. [pause]

Village on waters with a kind of music playing that is so profound and so pervasive. I receive it from a luminous source.

Very fragile body. Very prone to fragmentation but still the felt experience is of an integrated whole. [pause]

It feels like the separation of head and heart is no longer there. It’s all one. What we ordinarily experience as different concentrations in different centers doesn’t feel that way now. It feels as though all is vibrating uniformly. [pause]

A totally natural breathing that comes from the lower abdomen. It travels through a whole different respiratory system. [pause]

It’s not a respiratory system it’s just a contact with finer materialities. [pause]

Much less trouble with this implace-able sense of self or me. [pause]

Jack: By unplace-able you mean you don’t know where to put it?

Alfred: I mean there’s no location for it. [pause]

And again this kind of emerging need for guidance. But now it is questioned as to its source because it may not be necessary to ask. The guidance is given. It feels more like a projection.

Jack: You’re not feeling a need, I think.

Alfred: Exactly! It’s from a lower realm – projecting something that is elsewhere.

Jack: Perhaps just associative.

Alfred: There’s a certain non-hurried but clear sense that the traces are being laid down of this teaching, of this guidance while at the same time a full witnessing of the diminution of this state is being offered.

Very clear that the physical tensions are appearing and so is the separateness of the mind’s activity. It shows up along the forehead, the solar plexus is tightening. It is showing up but very gradually. It’s like allowing two qualities to still exist.

Exactly like our previous sessions where as the daylight diminishes the starlight is still visible. That kind of a balancing point where both are present, coexisting.

Jack: Maybe that is how we’re really supposed to be.

 

Other postings in this series: Bodies, Bluish, The Cosmic Cleanup Team, The Joy of Taking My Place, Rescue & Ascension, A Continuity of Being, Creation, Rescue, The Empty Seat at the Table, Toxic Green, Pristine Stillness, What is Breathing?, Merging with the Light, The Alchemy of Transmuting Blue to White, Ascension, Montségur, Flood, Connecting Upward, The Thread, Ruby Eyes, Montségur 2, Quetzalcoatl, What We Have Bodies For, Slave Ships, Planetary Signs and Universal Perspectives, The Altar of Gold, The Breath Can Touch the Mind, The Battlefield That Has No End, The Quick and the Dead, The Relay Station, There Is No Difference, The Uninterrupted Chain of Beings Ascending, Adjusting a Planet’s Orbit, Our Living Planet, Body and Soul, In the Situation Room, Dark Blue Stellar Material, A Luminous Source.

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Dark Blue Stellar Material

(Copyright © Jack Cain 2017, text and images)

Jack: I think that we recognize that an entry into this special work – or whatever this session is – an entry into it is possible only because we set aside the ordinary consciousness and look for other connections, allow other connections to form. It’s magical that they do – on their own. We don’t have to strain in order for that to happen. [pause]

Alfred: It becomes gradually more possible to let the associative material drop and not even report about it since it has no importance to this process. What seems to be attracting more of the attention is a penetration of the body by a finer substance.

Jack: Yes, the body is such a help in this transition. [pause]

Alfred: There’s a sense that the body becomes part of this larger circulation. The head is becoming part of this larger circulation. They are not separate. [pause]

With that awareness there’s something much larger, something like a canopy of stars and space – a star field. And a sense of being part of all that. An inseparable part.

The body no longer has its familiar shape. It’s just formless, part of that cosmic space, all those planets. The space is not black; it’s kind of very dark blue. It feels fluid. There’s a sensation around the umbilical area that feels attached to this awareness of the cosmic. It is flowing into a body that I cannot discern by form. As if that particular material, that dark stellar material, is flowing into my body, or whatever I call my body, into whatever it is that I experience as myself. It’s not bounded. [pause]

My ordinary mind is trying to find the boundaries to this experience which is boundary-less. Everything is in motion. [pause]

In fact, the thinking has become so rapid that my words cannot catch up. I mean the mind not the thinking. It is passing so rapidly, I just get tiny glimpses of whatever is happening there in the mind. [pause]

I wish to be instructed or guided as to what my role is and what my responsibility is here in relation to what is necessary. So I can be of service to the forces that are active right now. Please guide me for the benefit of all those who can benefit from this work.

Jack: Yes, it’s so clear that it’s not either you or I who can decide, so this request is very important.

Alfred: Yes.

There’s a light that is breaking at the apex of some dark material. It’s more discernible and requires much more active attention right now.

Jack: Good. Take your time. [pause]

Alfred: It’s like an intensity that is increasing in vibration. At the same time, there’s a kind of benevolent message of encouragement for me to wait and allow the transformation of this body. It is not yet of adequate luminosity or perhaps porousness. I need to allow it to ascend. It’s like a way-station or like a place of waiting where again something is required of me. It’s an interval. It feels like an ascent along some type of steep crystal or mountain that is infinitely high. [pause]

I can clearly sense the attachment to the dense forms – thinking and sensing. Something is responding and alleviating this clenching attachment.

But the body begins to appear more as a shell than as me. [pause]

Strong sensation and warmth in the abdomen that seems to support this perception.

As the intensity of the light increases, it seems so senseless to hold to this lesser form. By itself it drops away. Along more and more something like a vertical line of consciousness.

There is more and more awareness of others who are supporting this flow. I’m joining others who are abandoning lower forms. Finding the true importance of the higher. [pause]

Everything is golden, in a fluid way. Joining a universal breath. There’s almost no more importance to me here. It’s the participation that is all that matters. [pause]

I see the constrictions clearly. I sense them clearer than I ever sensed before – around the heart – fear and trauma. I am prevented by fear from fully allowing this movement of opening.

Jack: Certainly the first step is to see that.

Alfred: It’s as if I’m allowed to come close to those constrictions to really know what they’re about.

Jack: Right.

Alfred: To see that they’re not necessary and they don’t need to scare me. It’s just to come into contact with those layers. Constriction.

Jack: Yes, and there is enormous help present at this moment.

Alfred: Yes.

Jack: So you really know that the fear is not needed. [pause]

Alfred: It’s odd to say that but there’s a certain kind of long and almost ancient conviction that I’m making my own light and I’m beating my own heart. This has to let go. As absurd as it is, it’s so real. I need to allow something entirely different and to recognize that the heart and the light are given, every second, every moment. [pause]

It’s so clear that the constriction is not in the quality of the giver. It is something that is alien to it. The giver gives so freely. [pause]

There’s a feeling that this intelligence wishes for me to know very precisely the point of contact between abundance and the constriction.

Jack: Yes, it sounds critical. [pause]

Alfred: It’s not for my own benefit. It feels like others depend on this.

Jack: Ah.

Alfred: This puts it in an entirely different context and allows more space. Because it felt like a stalemate until there was an awareness that’s it’s necessary for many others.

Jack: Yes, many – not just one or two.

Alfred: So it’s not only for me that I’m questioning and praying for some guidance as to how to allow what needs to flow and how what needs to permeate could enter. [pause]

The response is immediate. And the tensions immediately melt. Just for the asking. When it’s not for myself. All those who depend on me. When I haven’t understood what they need or what needs to pass onto them, there is no response.

Jack: Yes, and all the ones whom you don’t know who are dependent on you.

Alfred: Tears come up. And gratitude. Feeling that it’s not too late to understand something about that.

It’s almost like this body has to nurture other bodies. Literally. Food to sustain others.

Jack: Yes, and the heart needs to be open for that. [pause]

Alfred: That abundance of giving – not being in receiving mode – this immediately allays and calms the fear of not having enough. So that the receiving and the giving can be more free. Uninterrupted. One movement. It’s like a tree. Receiving from the top and passing on to the earth.

It feels like that’s my place – to offer no obstruction or obstacles to this movement. [pause]

Great love for the trees. I know there’s so much love I’ve developed for them. I was with the trees today and yesterday.

There’s no effort needed to allow the heart to be open. It seems so natural. [pause]

It’s like the in breath and the out breath are one. There’s no ego in the middle holding to anything that is passing through. Nothing of what is received is held onto.

But a thought can come and constrict. It is around wishing to hold onto some substance. It just comes in and that is such a clear misunderstanding. Everything that comes in needs to pass through and leave.

It is a direct teaching about grasping.

Jack: Yes.

Alfred: Very specifically about a particular area around the heart that releases and grasps again, releases and grasps. [pause]

I’m given to experience that, to discover that now in my life. No judgment about why I didn’t understand it earlier. No fear. Almost like every being has to discover that at some point. And my moment to receive that is just at the time when something in me is ready for that to happen. Maybe it could not have been ready any sooner. [pause]

It feels like one of those direct teachings in which one’s life cannot proceed afterwards as it did before. But… [chuckle] of course we know that’s not entirely true. But right now that seems very compelling.

Jack: Well, I think it’s good to feel the feeling of that – the feeling of its substantiality.

Alfred: Exactly.

Jack: And as you’ve often said to place a marker there to return to in daily life.

And I think there’s something about that dark stellar substance we started with that is more accessible than some other parts. So it’s a place to begin.

Alfred: It feels like a life substance.

Jack: Yes. Life.

Alfred: A very natural transition is taking place.

[and we end the session]

Other postings in this series: Bodies, Bluish, The Cosmic Cleanup Team, The Joy of Taking My Place, Rescue & Ascension, A Continuity of Being, Creation, Rescue, The Empty Seat at the Table, Toxic Green, Pristine Stillness, What is Breathing?, Merging with the Light, The Alchemy of Transmuting Blue to White, Ascension, Montségur, Flood, Connecting Upward, The Thread, Ruby Eyes, Montségur 2, Quetzalcoatl, What We Have Bodies For, Slave Ships, Planetary Signs and Universal Perspectives, The Altar of Gold, The Breath Can Touch the Mind, The Battlefield That Has No End, The Quick and the Dead, The Relay Station, There Is No Difference, The Uninterrupted Chain of Beings Ascending, Adjusting a Planet’s Orbit, Our Living Planet, Body and Soul, In the Situation Room, Dark Blue Stellar Material.

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