Something very unexpected happened

Terre cuite(Copyright © Jack Cain 2013, text and images)

[Continuation of the post: “We laughed at the beginning.”]

[Warning: This blog contains material that is dangerous to the mind. The author Laurent Huguelit in his forthcoming book The Shamanic Path to Quantum Consciousness: The Eight Circuits of Creative Power (Inner Traditions) stresses this very wisely by repeating often the exhortation: “The map is not the territory.” This blog contains images and words. Images and words are intended to represent what is, to represent reality. But that’s all they are – images and words. Do not mistake them for reality. We perceive reality through our senses – imperfect tools at best. Please consider this carefully before continuing.]

The point of a fish trap is the fish: once you’ve got the fish, you can forget the trap. The point of a rabbit snare is the rabbit: once you’ve got the rabbit, you can forget the snare. And the point of a word is the idea: once you’ve got the idea, you can forget the word.

How can I find someone who’s forgotten words, so we can have a few words together?

Chuang Tzu, Miscellaneous Chapters, translated by David Hinton, in Chuang Tzu, p. xviii.

At the end of the session reported in the previous post something very unexpected happened. Tom, who had been quietly following the whole thing even though he seemed to be asleep in the comfy chair, had his own highly visual perception of what had taken place. Tom gave us a brief account at the time but returned three days later with a much fuller account complete with diagrams he had sketched of the different stages he observed in the process.

Tom: This evening I witnessed and was part of something totally amazing. Before Jack even began speaking, I became connected to a visualization in which I saw a very complex process of transformation taking place.

The process unfolded in stages, five in all, of about 15 minutes each. Each stage required a precise amount of time to construct what that stage required.

In stage 1, the first 15 minutes, I saw the massage table supporting her, but her body was not in human form. It was a roughly rectangular shape coming to a point at both ends about five and a half feet long, composed of crystal that looked like quartz and out of which more translucent crystals were growing upward. They were springing up over the whole surface and were random shapes, long and jagged, about an inch square, and a bit milky in color. It reminded me of the way crystals grow in a supersaturated solution. All this was very much a construct of three-dimensional space. As this growth proceeded, the growing crystalline structures began to morph into something like luminous filaments or fiber optic strands. These filaments were also reaching up but they were not yet sufficiently charged, so they would droop down at the top from their own ‘weight.’ Afterwards I understood that this growth was a preparation for the following stage.

During this first stage, the crystalline form was surrounded by something like a cloud or an atmosphere. It also looked a bit like a membrane surrounding the form on all sides.


As Jack guided Shirley into a higher state, the surrounding energy began to intensify, and the process began to move into the second stage. This transition was a preparation for energy capture. As the luminous filaments or fiber optic antennas were populated throughout the base crystalline energy form, they also became more regular and uniform – there was no longer a clump here and a clump there. The whole structure became less jagged, more uniform, more precise.

As this was taking place, the nature of the substances also evolved so that the filaments were more like a fluid or a vapor – less dense, more transparent, clearer.

Then the room changed. The table on which she was lying had been up against a wall but now it was centered in the room and it no longer had legs but was simply a floating surface: elevated, stationary, stable – an anti-gravity plate. The area surrounding her was now filled with a thick field of energy of medium intensity to assist the filaments to prepare for stage 3. A warm band of energy. The whole room was filled with this energy; a comfortable density – not oppressive – a nicely tuned frequency – it felt good – a mild warmth – a little more than body temperature. Really comfortable.

At the same time, the filaments continued to become more regular and uniform – as a preparation for the light to flow into spirit, and so that this flow would be smooth and continuous.


It was about here in the process that the car incident occurred – screaming tires trying to pull out of the ice on the street below. It was as if this was planned to help make sure that all three of us retained our focus. And it was also a reflection of the fact that the three-dimensional world was giving one last desperate gasp before giving way to the entry of the subtler world beyond it.

Up to this point – the end of the second phase – the band of surrounding energy was extending around like a wall in a horizontal plane – the vertical had not yet entered.

In stage three the vertical comes in to make a field, a complete surround field. It was emanating a similar light to the quartz – not an intense light, but a warming light, an attenuating, quietening light, compatible with the composition of the field that was present. The anti-gravity plate is no longer present; the filament-covered crystal floats centralized in the field.


The transition from stage two to stage three was much more brief – not a flow as it was from one to two. In response to the influence of the surrounding energy field, all the filaments began to straighten upwards, like a porcupine or a blowfish. The energy field intensified a little and a flow began from the surrounding energy field down into the filaments – but in a kind of test mode, just making sure that the connectivity and the flow were working properly – as if energy signals were being sent to verify the construction and the engineering. No backtracking was necessary; all was in good order.

At this point the machine was ready to go.

In stage four the power begins to increase and the light changes to white with a faint orange – a clear intensity – and with a slight warmth – just as if you were turning up a dimmer switch on the wall. Steadily the filling up began to take place.


At a certain point, I’d say around 80% full, Shirley complained of a pain in the heart chakra. A saturation point had been reached in the filling up. Jack was saying “Take the time it takes.” Then the process starts to be as if each filament was absorbing a quantity of energy into the crystalline structure – except that it’s no longer a crystal anymore, it’s a silhouette of energy – a shape – a form that is no longer solid. It has become a receptacle, a vehicle.

Then something very beautiful began to take place. As this form or receptacle began to fill, it became more and more similar in substance, in material, to the energy that was feeding it. You could see the transformation of her own energy as the external energy was received. Her energy became closer and closer in density and composition to the energy coming in. However, I must say, form as such didn’t really exist – it was mostly light. As if the light in her spirit was being gradually brought up to the light that was feeding it.

This is a technology. As we’ve spoken about before, there are often energy forms or guides that are contributing to the experience. But this time, it was not like that at all. There were no singular presences. The surrounding energy form was truly amazing. There is no way to describe it but the following words each give an aspect of it: uniform, undifferentiated, dense, powerful, complete, calm, peaceful, pure, encapsulating.

The energy being received was collected and deposited in seven layers. When the vessel was around 80% full, Shirley mentioned she was experiencing a pain in the area of the heart and she asked Jack to help by bringing some energy to the process. There was no sense then to overfill, but nevertheless the magic of that moment was that, at 80%, there was already a sufficient level reached that a blending of textures or a marriage was able to take place between the source of the energy and the energy now in the vessel.

I’m watching all this take place – I’m watching Shirley’s reaction and Jack’s reaction. At this point, I’m on the edge of my seat. I’m thinking “Good grief! What’s next? What could there possibly be to top this?” Then Jack said that the energy had to be brought to the Earth.

I have shivers down my spine now as I think once again of what took place then. At 80%, this system had reached a certain optimum level – it was ready, it was attuned perfectly. Once Jack said “Earth,” the whole structure, very quickly, rotated from horizontal to vertical, and in a very forceful movement – Boom! – its lower end became implanted in the Earth, as if it had been fitted into a socket.


The energy that was captured or transferred allowed the form to return to Earth with a kind of  … not an unknown power but a power of limitless potential. Once it was plugged into Earth there was a sense of completion. We’re done. And very shortly after that Shirley said, “It is finished now.”

Jack: Was there a sense of a movement of energy down?

Tom: The energy was bigger … remember I said that the energy married itself to the energy that was feeding it. At that point, it didn’t remain as a smaller form; it was a very large field; there was really no shape to it. It was as if the whole room then transformed into a feeling of … energy is not the right word …  power maybe … not power as such … a force … a monolith, that’s what it was … a monolith that had been installed on the Earth to radiate energy of light. That’s exactly what it was. That monolith is a construction of divine amplitude to permit a transference of will to humankind.

It’s like a monolith that was, in a visual sense, formulated to make a procedure or process of elevating a spirit to the point where a connection of great value and great quality is achieved … because it is of a lightness and of an energy field far removed from 3D. It’s as if you became part of infinity. But then somehow, in a living sense, because of this process of elevation, the quality of the result – depending on how you’re able to maintain the energy there – if it dissipates, the monolith will shrink and become insignificant. But if the spirit is very well anchored and your spirit truly responds to it in the appropriate fashion, that monolith becomes a living, breathing apparatus of connection and transference of will, of beauty, of something that really has never been here before. It’s quite something. It really moved me. I haven’t been the same since.

(Sessions in this series: We Are Here, We Are Ready, We Laughed at the Beginning, Something very unexpected happened. )


About trylus

Welcome to my blog! I was born in the year of the golden dragon (1940) and when the golden dragon year came around again in 2000, little did I know that events would conspire to have me reinvent myself. So after a long career in computers and libraries and languages and with a few bumps of transition I now feel very alive in the practice of hypnotherapy and an energy modality called Reconnective Healing®. My interest in writing has always been in the mystery of how it is sometimes possible to convey much more than the meaning of the words. It is my heartfelt wish to have that happen sometimes in this blog. Jack Cain Trylus énergétique Montréal
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6 Responses to Something very unexpected happened

  1. Kat Martell, soon-to-be Certified hypnotherapist says:

    Wow! What an amazing experience you were blessed with. Words cannot do justice to it.

  2. nkk says:

    Thank you – this is a very powerful teaching in which the ‘words’ were able to transport me into the experience . . . .

  3. Suzan Donleavy-Johnston says:

    This detailed report is amazingly interesting and makes me wonder about the greater meaning.If you have any sense of this, I would love to hear about it. Thanks, sdj. Date: Fri, 1 Mar 2013 19:12:14 +0000

    • trylus says:

      Dear Suzan: That’s partly why I’m making these posts — I’m hoping I might find some help with the larger meaning. What it does for me is push back the horizon of what I take to be “my” world — what I see as the world beyond me. What I frequently see unfolding in front of me is like a peek into the grand scale of being described by Gurdjieff in Beelzebub’s Tales. But instead of reading about it in a book, there it is, right in front of me. And it’s palpable. The room trembles at this vista. Your comment was helpful to me. Jack

  4. Deneen says:

    What a treat to have both the personal experience related in the first post and then this explanation in terms of the subtle energies that made up the experience. I sense that this description gives us information we can use to understand more about the integration of our Light bodies with our Physical bodies. This seems to describe the Descension so many of us are working toward in our lives. Reminds me of a poem, maybe one of John Berryman’s, where a madman in an asylum keeps calling out to God, “Oh, come on down!”

    • trylus says:

      I’m struck by the fact that Shirley often comments on the precision of the work — very, very detailed and very very precise. She’s speaking from her own experience of it so I can only guess what that means but at the same time being there with her I too have some sense of that precision. I have no visual perception of it but the work is accompanied by a kind of hush that reflects the contact with another realm. As if the work were a kind of harmonization supporting contact and exchange.

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