Porousness

01 sky for Samuel IMG_3260(Copyright © Jack Cain 2013, text and images)

Samuel: Yes, let’s begin. It’s already beginning actually.

Jack: Well, I felt a real resonance when you mentioned the guardians [beings Samuel met in a previous session] a few moments ago.

Samuel: Hmm.

Jack: So I don’t know – it’s up to you – but I think being with them again is a place to start.

Samuel: Yes.

Jack: And it was actually the impetus in a way for you to contact me.

Samuel: Yes. Feeling how I couldn’t summon them. That it wasn’t up to me.

Jack: Right.

Samuel: I really felt that I had this wish. It was an impulse that was irrepressible. But then I would let it go because I felt not only the futility of it but the inappropriateness of it. I felt that I needed to become more porous. That’s what was up to me. And what would happen would happen but…

Jack: Well, it’s an action that is outside of our actions in the world. But I think now, lying there comfortably in your own space, you can focus on that porousness. Because I believe what you’re saying is very accurate – that there has to be a porousness – an openness for an influence to enter.

You need to take some time now to change the focus. It’s very subtle because we should be able to do this more often and more easily than we do. It’s true of everyone. We ignore these opportunities. But there’s an opportunity right now anyway to come closer to that. I think you should take the time you need.

Maybe be close to the breathing – that always helps. The body is such a wonderful instrument that allows us to attune to vibrations. Even though it’s a physical body but somehow it’s possible for it to be attuned to vibrations from the other world as well. And of course there really aren’t two worlds.

You have a memory of the guardians and that too plays a part but it’s actually something else that needs to open.

Samuel: I was just feeling the memory and seeing how it was distinct from me – it was a memory. And then, I felt something behind me.

Jack: [softly] Ah ha.

Samuel: And a little bit above. I’m feeling that presence now.

Jack: Yes.

02 sky 2 IMG_2629Samuel: And it is the body that is allowing it.

Jack: It’s kind of mysterious but it’s very accurate.

Samuel: I’m feeling how important that is. There’s a certain care that is coming from them. From behind me. I’m lying down and they’re upright beside me.

Jack: Yes, don’t worry too much about the geography of it. It’s their presence that is important.

Samuel: They’re bearing me up.

Jack: Ah. Wonderful. [pause]

Samuel: My own feeling of needing to be cared for. A certain need. I see it’s not their need. [pause]

In a certain way their purpose is not for me. [chuckle] Or maybe a deeper part of me. Something. My soul caring for something that’s not on the surface. Something much deeper.

But they have a purpose. I can’t quite tell what the purpose is but… And yet I do know what it is… It’s a… [pause] It’s to irrigate this part that is often remote in myself that I don’t allow to become more part of myself. I’m remembering the previous times. There was something of that in their effort. There’s an aim they have. They have a mission with me to bring this part to life. [pause]

My sense of them is very tenuous. Not as strong as… Hmm. I was about to say not as strong as the previous times and then suddenly it became stronger. [laughter]

Jack: Yes there’s an indication there. You have to be careful to balance the speaking about what’s taking place with the experience of what’s taking place. I do want you to say something about what’s taking place but maybe you need to pause more in between in order to examine the process of this movement of connection because the connection is… I’m suddenly thinking of the reins in the symbol of the horse and carriage that change when the atmosphere changes – they expand or contract. So the atmosphere plays such an essential part in what’s taking place. But also there’s an importance to this session that may be way beyond you and me, so there has to be an allowing of their directing of what’s taking place. [pause]

Samuel: I feel them on either arm. And they’re bearing me up. [pause]

I’m feeling these two bodies. The weight of my physical body and then this other body that they’re holding. Very lightly. [pause]

Freeing it. [pause]

Hmm. [pause]

There’s something happening… I think they’re making sure something is taking place. They’re looking down at my legs and back up. They’re checking out this process. They’re at work on me.

Jack: Yes, it’s good you can feel that taking place.

Samuel: There’s this feeling of rising up. Floating up. It’s like the opposite of gravity. This movement up. A kind of weightlessness.

I know it’s a separate body. It’s above me now. But still here. Still connected. Not far above. Still very close. That’s what they’re concerned with. They’ve somehow freed this body. They’re healing it.

Jack: Wow.

03-red-purple-white-for-samuel-img_3258.jpgSamuel: They’re healing it from some ancient wounds.

I’m now feeling a light from above. It’s washing over me. Another kind of baptism.

Jack: Yes.

Samuel: It’s a cleansing. It’s preparing, preparing the way. It’s preparing the way to receive. To receive and to give. The preparing of an opening, a channel that now can receive this light.

Still there’s a tension that doesn’t allow for it to pass as freely as it might. A residual tension from my life being lived on another level. You can see it as this impediment but it’s not a barrier as much as a fact that these tensions don’t dissolve just like that. It takes time. And they need to be included as well – I need to respect the lawfulness of those tensions.

Jack: Right.

Samuel: And not struggle against anything.

Jack: No.

Samuel: You can see how these tensions dim the light. Which is still there.

Jack: But your seeing them clearly probably helps.

Samuel: Yes. I see the light. I see it and I can feel somehow the omniscience or the omnipotence – the everywhereness of this light. It’s so much greater than any tension.

Jack: Yes.

Samuel: How at times the tensions appear to dominate and yet there’s a sense of the endlessness of the light and the beneficence of it.

And now as this… Ah… [pause]

04 Blue water IMG_2832Including everything – these tensions, me, and this body. I had forgotten about the attendance, these ministers, these guardians. They’re there. They have no need to assert themselves. They have this divine mission that advances as much as it can. There is no tension to them whatsoever. They have a purity. A purity of purpose. And they help me as much as I’m able to help them help me. I need to be like them – free of any kind of grasping.

Jack: Right.

Samuel: To become a part of what’s lawful. To submit to it. To abandon myself to it. To let go of it. [pause]

My mind is describing them in terms of what I know and they are beyond that.

Jack: Yes.

Samuel: I have a feeling of them. I kind of put a body to them. And they do embody themselves in a certain way and at the same time they’re completely amorphous. But no less on a mission. Embodying a mission. [pause]

I have a feeling for what it is.

Jack: Yes, I think the feeling is important. It says more than the words.

Samuel: Yes, I feel that.

I need to pay attention to the body. It is so clearly the instrument through which everything transpires. And the body in a complete way. It’s in the physical body that there’s this other body. And I need to be very quiet and still and allow it to become itself. It’s the medium to these other levels. It’s another instrument, a finer instrument. [pause]

It receives this finer light that can fill it until it glows. Joyfully. I’m home again. Ah. Now I’m in it. I’m being borne up towards the light. Transparent. [pause]

Being at one with the light. [pause]

I’m feeling as if my physical body has been pulled up into this other body. Instead of the other way around. Instead of it coming from me and going out, now I’ve come into it. I’m in it. I’ve re-inhabited it. It is the primary body. And now it’s changing as I talk about it. Feeling too how I can’t live in that… [chuckle] ecstatic state. But it’s not an ecstasy of… Oh… bliss. It’s bliss.

The mind tries to make sense of it.

Jack: Do you feel it sheds light on “who and what I am”?

Samuel: It’s more that it is who I am.

Jack: It’s simpler.

Samuel: It’s not two things. I am. I am. One thing. [pause]

It’s like they put me back onto the bed again. [Jack laughs]

Very gently. With this new body inside that’s alive.

Jack: Yes. And cleansed.

Samuel: And cleansed. Whole. Completely whole. [pause]

And yet I’m not lying on the bed. I’m floating above it. Just barely. A real sense of gravity. And moving slightly. Almost imperceptibly.

And now they’re gradually laying me back down. So gently. So carefully. So lovingly. It’s love. That’s the message for today. [Jack chuckles]

Oh, my God!

Jack: Yes.

Samuel: Holy God.

That was my prayer this morning. And it’s just come back to me.

Holy God. Holy God strong. Holy God immortal. Transmute in me.

An answered prayer.

05 river for Samuel IMG_2617

Other postings in this series: The Fact of God, The Disciples, The Orb Smiles, Kindly Bent to Ease Us, Porousness.

Posted in Hypnosis | Tagged , , , , , | 2 Comments

Praying Mantis Beings

(La version originale en français se trouve dans l’article précédent.)

(Copyright © Jack Cain 2013, text and images)

Jack: Say a few words Melanie about the safe and pleasant place you’ve been able to find.

Melanie: Island. Very hot. Some shade. The sea. Hammock. Birds. Salt air of the sea.

Jack: What’s the feeling?

Melanie: In the emotional part it’s between the heart and the throat. I don’t know how to describe it.

Jack: The gesture you just made says a lot.

Melanie: It’s as if there’s an energy caught between the two. It’s not the heart.

So, what is that emotion?

Jack: Yes, what is it?

Melanie: Something to be suppressed. Can’t get out, can’t go back down and unable to find expression. A felt sense.

Jack: You need to focus on it.

Melanie: It’s come up to the throat, moving into expression. It wants to come out. Now it’s ready to speak, to find expression.

Jack: Good.

Melanie: And when it moves into expression it’s song, it’s opera.

Physically, it’s the third eye opening.

Jack: Just follow what’s happening.

Melanie: There is a separation from the physical body. Now I’m no longer on the island. That’s done.

Jack: Can you describe a little where you are?

Melanie: It’s happening on the left. In tunnel.

It’s a tunnel. I turn and look behind me – there’s light. It’s a white light but… There’s a contour. It’s a white light then there’s black, like a big L – in the whole space of the tunnel there’s a black gap.

OK. You continue the tunnel, you fall. It’s space. It’s empty. It’s darkness. Then, it’s like a… a spider… It’s like a part of a ship. Chih, chih, chih. It works like that.

Then it comes back to the physical. Third eye. Work.

It’s a staccato movement – somewhat agitated. Not very comfortable. Not peaceful.

Then when I look down, there’s nothing. Nothing physical.

Jack: So it’s a void then?

Melanie: It’s like a void. It’s as if it’s an awareness – me in the void. And it’s not physical. What I’m seeing is concrete. It’s made out of metal. [pause]

It’s as if I’ve left that place. As if I’ve come up to the surface. I’ve come back to the island. I came out of the water. It’s as if I was in the sea. [pause]

Jack: Are you in the hammock?

Melanie: No, I’m on the sand, seated in meditation posture with my legs crossed. I’m not in myself, I’m looking at myself. [pause]

Now I’ve left the island. Now it’s like a soul. I’m flying like a bird. Better this way.

Jack: We’re looking for light and information to help Melanie now July 8th, 2018 here in Montreal.

Melanie: A bird like a crow, more brown. Big like a crow. I’m looking at him. [pause]

Jack: Does he have something to tell you?

Melanie: It’s sort of changed. I was looking at him, he moves away and then I am taken in a vibration like that. It’s just that he’s led me to this spot here. It’s hard to describe.

A little like before it’s a circle. It’s a box. I’m in the box. It’s still dark in the box. On the outside it’s dark. I’m in the box. I move out of the box and I’m on the box. I’m looking for light but I don’t see it.

Now there’s like a waterfall. What is it? A little beam of light but… And there I am now, I’m moving into the beam of light. It’s like a laser. It’s pushing quietly. It’s in order to scan me.

Now I’m going up in an elevator. And now I’m in the laboratory. I’m in – ah! – I’m on a ship. And it’s very, very white here. It’s really dazzling. I don’t want to look because it’s too white. A little frightening you know. It’s difficult to make out the environment because it’s too dazzling.

Jack: Maybe you need a bit of time to adjust. [pause]

Melanie: It’s turning like this. It’s hard to keep straight.

Ah! I’m on the table. In a bubble. In a bubble, on a table – it’s white – everything is white. And now there are people there in lab coats. But I don’t know if it’s me. I seem to be a spectator.

Now I’m on the table but I don’t know if it’s me who went and got on the table. [whispering] Because I wanted to feel what it was like. Then there are these mantis beings. Tall. Then now I get up. And now I’m the mantis. I’m a… [whispering] How can I say?

I’m me – in the present – but… OK. Ah, OK. I’m getting it. It’s in the physical felt sense that it’s taking place now. It’s as if my body is being cut up into big squares. Chih, chih, chih. It’s not being cut to remove something. They’re working. Working on the physical body. It doesn’t hurt. They’re not being nasty.

Jack: No?

Melanie: No.

Jack: So, they making adjustments?

Melanie: I don’t know if it’s a child or something else. Yes, it’s like an adjustment. It has no relation to what I said about my navel [which she described as highly sensitive and painful]. It’s something else because my pain is still there. If I compare my physical body now with that, it’s something else.

My legs are super long, super long. OK

It’s as if I’m setting out. I’m setting out, I’m stretching. I am much taller. Very, very, very tall. Very strong. Very connected.

And now it’s like there’s information being downloaded. As if it was… As if I was becoming much more receptive to everything, everything, everything. And very healthy. As if all this is to get going… ready to face life. This is really something you know.

Regenerative. Very regenerative and very powerful. Under foot. And in the legs. It’s as if I was blue inside, as if I was emanating light. I am all white. I can feel it deeply now.

It’s as if I had a tune up in order to keep going. I had to go there in order to be tuned up.

It’s done. It’s like I have to go somewhere else.

Jack: Now with the tune up you’re in good shape.

Melanie: I’m perfect. One hundred percent healthy. I am light not heavy. I don’t have a physical body. I am light. I am pure consciousness. And I am in tune with my environment. And now I understand [chuckle]. I understand everything that is going on. All the discussions, all the… everything, everything. Very telepathic.

Then I wondered if I needed to go back to the beach in the sunshine. And I got “No.”

Jack: You need to visit other places, right?

Melanie: It’s like I’m a satellite moving through this black space. I’m shining. I’m moving on, moving on somewhere. [pause]

Now there’s a physical felt sense like a spiral of energy that’s moving up like this just above. It’s another calibration.

It’s as if now… As if following the treatment I was… I’m able to compare my state in the… in where I am in the universe. I’m super grounded. I’m really very well aligned.

Then if I compare it with Earth, where I am now is as if I was grounded to Mother Earth below and perfectly aligned to Heaven. This is to show me by comparison but I am not on Earth.

Jack: No.

Melanie: No, because Earth is too heavy. Besides, I have to try to get out of there. [chuckles] That takes me downward.

OK. I am back in space. OK. They are re-calibrating me because I went to Earth to be tested.

They make me feel that I need to stop analyzing.

Jack: Yes.

Melanie: Letting go.

Jack: Yes, letting go. Feel.

Melanie: So that’s it – the feeling of being centered, calibrated comes back. As if I was a crystal scepter. It can be explained that way. I’m just moving along… [pause]

It’s funny. It’s as if that’s my job – to be a crystal scepter that moves around. Now here I’m in the right place. It’s as if I liked… I’m balancing… as if…

I receive information. There’s too much of it now, too much. It has to do with balance. As if I was tempering the waves, cleaning up. Because there are other elements around me. It’s not the same form. [pause]

That’s about it. You might say this story is done. I don’t know how to say that. You’re positioned. It’s as if I’m being told – you’re positioned. Positioned. That’s your mission. It’s done.

Jack: But maybe we could ask questions now.

Melanie: Yes.

Jack: About your navel for example.

Melanie: Yes.

Jack: So perhaps the Higher Self can come in. We need to have a great respect for this part. Perhaps it can come in and explain a little.

There is also the question of everything we’ve seen up to now. What was the aim of showing us all that?

Melanie: OK, I’m asking the question about the navel. It’s as if there’s something that doesn’t want to leave me. It’s just an image now.

Jack: But it’s something that has to leave?

Melanie: I see a death. A woman lying down. The silhouette. Lying on the back. There’s death. It knows. Oh! Now, it’s… something sharp in the belly. Now there a child that is dying, birthing a child who is dying. Oh! Now it’s her too, she’s dying. Oh! It’s like there’s been a death. Now it’s all over.

Jack: But you understand?

Melanie: Yes.

That’s it. Not nice. I can’t see when that took place. I only see the silhouette. It’s that way so as not to show me because it’s really not nice.

Jack: Yes.

Melanie: Now, as to why they showed me the crystal scepter. Ah! When he takes it in his hand it is strength. When you take it you become strength. When you touch it, you eliminate. It’s powerful.

And as for me, it’s like I was a crystal scepter. It’s like the king. It activates. In one’s body there’s a strategic point leading to a power. A power that we could say is celestial. It’s really an activation point.

It’s not power as in an army leader – it’s not that… it’s a power as if he was becoming a god. It’s really important. The crystal scepter is an important element in his role as king. He has to have it in his hands to be able to guide the people, his kingdom – I don’t know. And when he’s the scepter, it’s then that the channel… Ah! I get it. It’s as if he takes the scepter and begins to speak. As if the channeling moves through him. Ah. It’s easy. Everything unblocked. OK.

Jack: It unblocks?

Melanie: It unblocks everything. It activates the depths; it unifies his body.

It activates all the points beyond the chakras. All the points. That’s it. It activates and he can finally express his strength verbally. And his power in the sense of energy.

I’m trying to see who he is. It’s Roman. But it’s not Roman from the time of the Romans. [chuckle] It’s a look. Yup. It’s look as in costume, architecture. But he’s not living on Earth. It’s just that I see him as a Roman. With a toga. Ah. That was the image that I was given – the human image of a god. Now they’ve taken away the human image. They’ve taken everything away. What remains in the background… is just the scepter. [pause]

It’s like a Star Wars light sabre. It’s lit up.

Jack: Because there’s a power there.

Melanie: It’s powerful! It’s more powerful than all the electricity on planet Earth. Really powerful. You can’t approach it, touch it. If you touch it… It glows like…

Now, OK, it’s frozen. There’s nothing more happening.

Jack: There was also the question hybrids – why is there a fascination in you about all that?

Melanie: Ah, OK. I still see the mantis being now. But just the eyes. I don’t know if it’s a mantis.

Jack: You mean a being like a praying mantis, right?

Melanie: Yes, right.

Ah. OK. What I see is like a… above the crown… it’s as if… now, I’m not seeing anything, it’s just… It’s like a bit of channeling now. When they arrive on Earth, there’s nothing on Earth… It’s a matter of helping them connect with our reality, our third eye… That’s good. It’s as if with the crown chakra there was a thread… a thread which means that I… that we detect… we detect them… Is it me or them? It’s me. As if I emitted a wave in order to catch it. [pause]

Oh! I am a thread… moving off from my head… I am that and it goes very, very far in the… Then it makes branches… like a tree… that has branches everywhere.

At the very end of all these branches there are cells… like balls… all these balls are incubators.

Jack: Ah!

Melanie: Incubators and then… it’s as if the are little creatures; they grow up there. Oh, that’s weird. OK. That’s it. It’s as if they are in there and then they are nurtured in this ball. They’re OK. They are human. They have the same… physiological mechanism as if a human were carrying them for example – the same circulatory system, the same lung development, the same constituent vitamins, umbilical cord – no, no umbilical cord – but everything else.

I see it exactly – you know, that pocket – where there is blood, and muscles, and… I see it’s surroundings. But I don’t necessarily see the child in it. But I’m shown that it’s very comfortable just like a mother’s belly. Same temperature, same nutriments. And there’s a bunch of them. It’s a tiny little thread with branches like that. There’s a ball on each branch. Like a maple tree. There’s a whole bunch of little branches, full of little leaves. There’s not all that many branches but there are enough for a good thirty little balls – like little Christmas tree balls. But nothing else is shown. I’m told, “That’s it.”

Jack: But is there a connection with the hybrids?

Melanie: It takes off from my head. That’s what it is. It’s like I… the thread… it goes up, up into the sky… then, that’s where it makes the tree. Chih, chih, chih. I’m like connected to them. It’s as if I’m expecting them. Like I was saying but there’s one mature but with the hybrids apart there. I’m going to see if there’s something else.

Having that makes me super happy.

Jack: Ah.

Melanie: That’s my emotion in the physical here – when I think of them, and when I see them. It’s like I recognize them. Ah, I recognize them. I don’t know them, I recognize them. It’s as if we all come together in one spot – I recognize them. And it’s like my family. And, that’s it – there’s helping all around. And there are several of them. It’s like a coming together. And like there’s a lot of verbal exchange. It’s not the past. Ah, can you do that sometimes – go into the future? No. It’s not the future. Wait a minute. I’ll get what it is. It’s the present.

But in the past there was supervision.

Jack: A super vision?

Melanie: A supervision. As if a being, or a group, or an entity or… aaaah! okaaay! [laughter] All you have to do is turn your head and you see. Oh, my Lord, that’s big. OK. And they’re only showing me a part of it. I turn then they don’t want to look at just that. There’s a… Ah, it’s difficult. I can’t tell if it’s a planet, a city, or a ship – when I say ship, I mean spaceship. Or a saucer, or something. Anyway, it’s big. It’s immense. And it’s a place from which they watch what’s happening on Earth when they arrive. It’s like the mother ship of the whole business without being a business. Ah! Now they don’t want to show me. I try and they don’t want to show me. Now they’re showing me just like a… OK. I’ll give an example. Like the top of the CN Tower [in Toronto] there’s glass and you can see 360º around and I’m seeing just a quarter of it. And there are people and activities inside this sphere – I call it a sphere but sphere is not the right word. It’s emanating an energy. It’s emanating a very strong energy that extends very, very, very, very far. It’s from there that they’re able to see what happens when the hybrids (or whoever) come to Earth. Because I’m really seeing the Earth and it’s not far away. It’s like – like I’m saying – it’s in our solar system.

Oh my God! OK. Now… I have to expect messages because I’m going to be in communication with them. And, it’s… OK. Whoa. OK. I’m in communication with them, then it’s because… There’s no connection to… [pause]

Jack: Easy. Take it slowly.

Melanie: Too much information. I don’t get it – I’m channeling. I’ll tell the whole thing – won’t be long.

Jack: OK.

Melanie: They didn’t want to show me something. They’ve turned me around. They’ve taken me. They’ve given me this information. I don’t know who they are – those who are going to help me be a channel between them and… and the world I guess. Perhaps humans, perhaps hybrids – both.

Now they’re putting me in a tube – there I am, Melanie. They’ve put me in a tube. They’ve put a tube around me. They’re in the process of providing me with downloads of information. Now it’s going too fast for me to say anything.

Now it’s going to be me who is the emitting tower for this information. I’m going to need to be very, very, very grounded. Every day. And I’m going to be in contact with them all the time. And that’s all going to happen by itself.

Aaah! … The hybrids are going to come to me because I have to help them. And there’s more. Not just that. It’s big. And that doesn’t exist yet.

I’m getting chills. Ouuu!

Jack: Of course. Because it’s big.

Melanie: The blockage of a while ago is still there. It’s because I haven’t expressed it yet. It has to come out.

The scepter – it was shown to me to show me that I am a very, very, very, very strong force. I’ve got to go looking for that scepter. It has to be put in my body, in the pineal gland. Drunvalo.

Now they in the process of showing me when I take the scepter and then when I put it… Damn. Oh, my Lord. You’ve got to feel that. Euuu… Now they’re putting the scepter back into me. OK? It’s turning. I asked, “What’s the connection to past lives? And there’s no reply.

They’re saying that it’s a game changer.

It’s a… OK. That’s it. You could put your hand beside me and feel that it’s… Now I’m emanating. Right now I’m emanating lots, lots, lots of this energy that I’ve never seen in my life.

Jack: Ah!

Melanie: Now, we’re going to take it by stages. That’s the scepter that they showed me from the get go. Now I have it inside me. They have kind of integrated it into me, into my physical body. I feel it physically. It’s maybe not my physical body but I feel it physically.

Jack: No, not exactly.

Melanie: And then you have to understand that when I encounter the hybrids – human hybrids or any other species, that’s what I’m going to feel. I’m going to feel the same thing I’m feeling now.

Jack: You’re going to feel the scepter that’s inside you?

Melanie: Perhaps I’m not going to feel the scepter but I’m going to feel that energy.

Jack: So, you’re going to recognize the energy.

Melanie: It will be the same as the person I meet. When I feel it, that means I’m in the presence of a hybrid person.

[whispered] Oh, my Lord. You’ve got to try that; it’s wild. It’s vibrant you know.

And then, I’m told not to ration[alize]. They don’t want to talk about my past. Ah. It’s not happening in a past life.

Jack: No, no. It’s now.

Melanie: Listen. I’m going to have you doing things you’ve never done.

It’s all happening at the same time.

Jack: Yes.

Melanie: OK. I understand. Because I’m asking what the connection is to a past life for me. He tells me, “I don’t want to talk about past life because it’s happening now. On planet Earth this is new. You can’t go into past lives.”

And then I ask if I’ve ever been something else and he said, “Yes.” When I say “he” I don’t know who he is, or she. Let’s call it it.

It said, “Remember when the king holds the scepter, you saw the king and then it kind of disappeared and disintegrated into a light. The light that you saw is the being that you were. Ok. So I was a light being. Kind of. Does it have a form? No. It’s a light being.

Jack: Right, it doesn’t have a form.

Melanie: OK. Was I a light being before? Am I still a light being? [pause]

I’m going to give a key word: Pleiadian. Because I’m naming. Pleiadian, Lemurian. Barbara Marciniak. More in that kind of energy. And that doesn’t mean that it’s necessarily that. It’s an energy in that family. OK.

A while ago I mentioned “Drunvalo” again because I felt the energy like that and then it rose up into the pineal. Then I was told that it’s going to be like that. It’s so strong it’s almost impossible to withstand it. So that’s it.

Jack: It’s important not to stay too long in this state just because you can’t withstand it.

Melanie: I’m trying to see something else but now it’s just like sssss.

Jack: Perhaps you can return to the island – to the hammock – because after all that work you need some rest.

Melanie: Now I’m on the island. It’s over-exposed.

Jack: Yes, because you’re bringing a great light to it.

Melanie: Now I have to say… I’m feeling heavy on that island. It’s an island – the vibratory rate. There’s two things going on. It’s like I’m too high to be there. It’s hard to return to the island. Not because I want to remain higher up; on the contrary, I want to go there. I allow myself to descend.

Jack: Take your time. Gently.

Melanie: Good. The colors have come back: blue sky, white sand, the trees.

Jack: Gradually. It’s OK.

Melanie: But the restlessness is still there. [pause]

It’s as if I felt the energies all along my body calming it down a little. Settling down.

Jack: We have a process to move back into the body. Because you went very far away.

Melanie: That doesn’t surprise me. It’s not over. They’re giving me back my hips, my thighs, my buttocks, my feet. Now they’re saying I’m ready to return to here.

[We follow a procedure to exit from the state.]

Posted in Hypnosis | Tagged , , , , , , | 1 Comment

Des êtres en forme de mante religieuse

(In the next post you will find an English translation of this session.)

(Copyright © Jack Cain 2013, text and images)

 

[À noter: Cette session est dans un parler typiquement québécoise – c’est à dire, qui mélange l’anglais fréquemment avec le français. Pour aider ceux et celles qui ne sont pas accoutumés à cela, j’ajoute, quand nécessaire, une version française entre crochets carrés.]

 

Jack : Quelques mots Mélanie s’il te plaît pour décrire le lieu sécurisé et agréable que tu as pu trouver.

Mélanie : Île très chaud. Ombres, la mer. Hamac. Les oiseaux. L’air salé de la mer.

Jack : Et le Feeling ?

Mélanie : Dans la partie émotionnelle c’est entre le cœur et la gorge. Je ne sais pas comment exprimer…

Jack : Ta geste dit beaucoup.

Mélanie : C’est comme s’il y a une énergie qui est pris entre les deux. Ce n’est pas le cœur.

Puis, qu’est-ce que c’est cette émotion-là ?

Jack : Oui, qu’est-ce que c’est ?

Mélanie : Quelque chose à réprimer. Pas capable de sortir, qui ne peut pas retourner en bas et qui n’est pas capable de s’exprimer. Un ressenti.

Jack : Il faut concentrer sur cela.

Mélanie : Ça a monté sur la gorge, monté à l’expression. Ça veut sortir. Maintenant c’est prêt à parler, à s’exprimer.

Jack : Bon.

Mélanie : Puis, quand ça s’exprime c’est le chant, c’est l’opéra.

Physiquement, c’est le troisième œil qui s’ouvre.

Jack : Il faut suivre ce qui arrive…

Mélanie : Il y a un détachement du corps physique. Là, je suis plus sur l’île, c’est terminé là. [pause]

Jack : Tu peux décrire un peu où tu es ?

Mélanie : Ça se passe à gauche. Dans tunnel.

C’est un tunnel. Je tourne de côté et je regarde en arrière de moi, c’est la lumière. C’est une lumière blanche mais… il y a un contour. C’est une lumière blanche puis il y a de noir, comme un gros L – en toute l’espace du tunnel il y a un gap noir.

OK. Tu continues le tunnel, tu tombes. C’est l’espace. C’est le vide. C’est la noirceur. Puis c’est comme un… une araignée… C’est comme une partie d’un vaisseau. Tch, tch, tch. Ça marche comme ça.

Puis ça revient physique. Troisième œil. Travail.

Le mouvement c’est saccadé – comme un peu énervé. Ce n’est pas très confortable. Pas paisible.

Puis quand je regarde en bas, il y a rien. Pas de physique.

Jack : C’est comme un vide alors ?

Mélanie : C’est comme un vide. C’est comme si c’est une conscience – moi, dans le vide. Et c’est pas physique. Qu’est-ce que je vois c’est concret. C’est en métal. [pause]

C’est comme si je m’en est allée de là. Comme si j’ai montée à la surface. Je suis revenue sur l’île. J’ai sortie par l’eau. C’est comme si j’étais dans la mer. [pause]

Jack : Tu es dans le hamac ?

Mélanie : Non, je suis sur le sable, assis en position de méditation, jambes croisées. Je ne suis pas en moi, je me vois. [pause]

Là, j’ai quitté l’île. Là, c’est comme un âme. Je vole comme un oiseau. Mieux comme ça.

Jack : On est à la recherche de la lumière, de l’information qui peut aider à Mélanie maintenant le 8 juillet 2018 ici à Montréal.

Mélanie : Un oiseau comme un corbeau, plus brun. Gros comme un corbeau. Je l’observe. [pause]

Jack : Est-ce qu’il a quelque chose à communiquer ?

Mélanie : C’est comme changé. Je le regardais, il s’en recule puis je suis comme pris dans une vibration comme ça. C’est juste qu’il m’a emmenée à cet endroit qui est là, ici. C’est difficile à décrire.

Un peu comme tantôt c’est un rond. C’est une boîte. Je suis dans la boîte. C’est toujours noir dans la boîte ; à l’extérieur il fait noir. Je suis dans la boîte. Je sors de la boîte, je suis sur la boîte. Je cherche la lumière, je ne la vois pas.

Là, il y a comme une chute d’eau. C’est quoi ça ? Un petit faisceau lumineux mais… Et là moi, je vais dans le faisceau lumineux. Il fait comme un laser. Qui pousse tranquillement. C’est comme pour me scanner.

Puis là je monte sur un élévateur. Et là je suis dans le laboratoire. Je suis dans – ah ! – je suis dans le vaisseau. Et là c’est très, très blanc. C’est très éblouissant. Je ne veux pas regarder parce que c’est trop blanc. Apeurant un peu, eh. C’est difficile de définir l’environnement parce que c’est trop éblouissant.

Jack : Peut-être un faut un peu de temps pour t’ajuster. [pause]

Mélanie : Ça tourne comme ça. C’est difficile d’être droit.

Ah ! Et là je suis sur la table. Dans une bulle. Dans une bulle, sur une table, c’est blanc, tout est blanc. Et là il y a des gens avec des sarraux. Mais, je ne sais pas si c’est moi. Moi, je suis spectatrice.

Là je suis sur la table mais je ne sais pas si c’est moi qui s’est allé se mettre sur la table. [chuchoté] Parce que je voulais sentir comment c’était. [19 :40] Puis il y a des mantis beings. [Des êtres en forme de mante religieuse.] Grands. Puis, là je me lève. Puis là je suis le mantis. Je suis un… [chuchoté] Comment je pourrais dire ?

Je suis moi, présentement, mais… OK. Ah, OK. Ce ne sera pas long. C’est dans le ressenti physique que ça se passe présentement. C’est comme si on coupait mon corps en gros carrés. Tch, tch, tch. Mais on ne le coupe pas pour enlever. On travaille, tiens. On travaille sur le corps physique. Mais ça ne fait pas mal. Ils ne sont pas méchants.

Jack : Non ?

Mélanie : Non.

Jack : Alors, c’est un ajustement qui se fait ?

Mélanie : J’essaie de voir si c’est un enfant ou autre chose. Oui, c’est comme un ajustement. Ça n’a pas de rapport avec qu’est-ce que j’ai dit pour mon nombril [qu’elle a décrit comme très sensible et douloureux] ; c’est autre chose parce que ma douleur est encore là. Si je compare mon physique présentement avec ça c’est comme une autre affaire.

Mes jambes sont super longues, super longues. OK.

C’est comme si je me déploie. Je me déploie, comme si je m’étire. Je suis beaucoup plus grande. Très, très, très grande. Très forte. Très connectée.

Puis là c’est comme s’il y avait de download [téléchargement] d’informations. C’était comme si c’était… comme si je devenais beaucoup plus réceptive de tout, tout, tout. Puis très en santé. Très prête à aller… je sais pas… comme si c’était pour aller à… prête à affronter la vie. Tiens, on va le marquer comme ça.

Régénérer. Très générique et très puissante. Sous les pieds. Puis dans les jambes. C’est comme si j’étais bleue à l’intérieur, j’émane de la lumière. Je suis toute blanche. Je peux le ressentir présentement.

C’est comme si c’est un tune-up [mise au point] pour aller continuer. Il fallait que j’aille là pour être tunée. [mise au point]

Puis c’est terminé. Comme s’il fallait que j’aille ailleurs.

Jack : Maintenant avec le tune-up tu es davantage en bonne forme.

Mélanie : Je suis parfaite, cent pourcent santé. Je suis légère. Je n’ai pas de corps physique. Je suis la lumière. Je suis la conscience pure. Puis je suis in tune with my environment. [syntonisée avec mon environnement.] Puis, là j’entends… [petit rire] Je l’entends tout ce qui passe. Toutes les discussions, toutes les… tout, tout. Très télépathique.

Puis, là je me suis demandé s’il fallait retourner à la plage au soleil. Puis c’est « Non ».

Jack : Il y a d’autres lieux à visiter, non ?

Mélanie : C’est comme si j’étais un satellite qui bouge dans cette espace noir. Je suis brillante. Je m’en vais. Je m’en vais à quelque part. [pause]

Là, c’est un ressenti physique comme une spirale d’énergie qui monte comme ça jusqu’en haut. C’est un autre calibrage on dirait.

C’est comme si là… C’est comme si suite à l’intervention j’étais… Je suis capable de comparer mon état dans le… dans où est-ce que suis dans l’univers. Je suis hyper-groundé [enracinée]. Je suis vraiment comme en toute bien alignée.

Puis si je compare avec la Terre, où on est présentement, c’est comme si j’étais groundé à la Mère/Terre à la base puis au Ciel, parfaitement alignée. Ça c’est on me montre que c’est ma comparaison. Mais je ne suis pas sur la Terre.

Jack : Non.

Mélanie : Parce que c’est trop lourd, la Terre. D’ailleurs, il faut que j’essaie de sortir de là. [petits rires] Puis ça m’amène vers le bas.

OK. Je suis revenue dans l’espace. Ok. Ils me re-calibrent parce que je suis allée tester sur Terre. On me fait sentir d’arrêter d’analyser.

Jack : Oui.

Mélanie : Laisse faire.

Jack : Oui, laisse faire. Sentir.

Mélanie : Alors c’est revenu le sentiment d’être bien centrée, calibrée. Comme si j’étais un sceptre de cristal. On peut l’expliquer comme ça. Je fais juste comme me déplacer tranquillement… [pause]

C’est drôle. C’est comme si c’est ça mon job – d’être comme un sceptre de cristal qui se déplace. Puis là je suis à ma place. C’est comme si j’aimais le… je balance… comme si…

Je reçois de l’information. Il y en a trop là, il y en a trop. C’est comme un balancement. Comme si je tempérais les ondes, je nettoyais. Parce qu’il y a d’autres éléments à l’entour de moi. C’est pas la même forme. [pause]

C’est pas mal ça. On dirait que cette histoire-là est finie. Je sais pas comment dire ça. On dirait c’est comme… C’est comme ça puis… c’est comme si t’es placée. C’est comme si on me dit, « T’es placée ». T’es placée. Ta mission de ça, c’est fait. [pause]

Jack : Mais peut-être on peut demander des questions maintenant.

Mélanie : Oui.

Jack : À propos de ton nombril par exemple.

Mélanie : Oui.

Jack : Alors peut-être le Soi-Supérieur peut entrer – il faut avoir un grand respect pour cette partie là – peut entrer et expliquer un peu.

Il y a aussi une question de tout ce que nous avons vu jusqu’à maintenant. Qu’est-ce que c’était le but de montrer tout ça ?

Mélanie : En fait, quand je pose la question du nombril. C’est comme s’il y a quelque chose qui ne veut pas sortir de moi. C’est juste une image là.

Jack : Mais c’est quelque chose qui doit sortir ?

Mélanie : Je vois une mort. Une femme couchée. La silhouette. Se coucher sur le dos. Il y a un mort. Ça connaît. Oh ! Puis là ça fait… dans son ventre quelque chose de pointu. Mais là il y a l’enfant qui meurt, elle accouche d’un enfant qui meurt. Oh ! Puis elle aussi, elle meurt. Oh ! C’était dans ce niveau là. Puis il y a comme eu une mort face à ça. C’est terminé déjà.

Jack : Mais tu comprends ?

Mélanie : Oui.

Puis c’est ça. C’est pas beau. Je suis pas capable de voir ça se passe quand. Tout ce que je vois c’est la silhouette. Comme ça de pas me montrer parce que c’est pas trop beau là.

Jack : Oui.

Mélanie : Puis, pourquoi on m’a montré le sceptre de cristal. Ah ! Quand il le prend dans la main c’est la force. Quand tu le prends tu deviennes force. Quand tu le touches, tu élimines – c’est puissant.

Puis moi, c’est comme je étais le sceptre de cristal. C’est comme le roi. Ça active… dans son corps une point stratégique pour l’amener à une puissance. Une puissance on peut dire céleste. C’est vraiment un point d’activation.

C’est pas une puissance comme [si] c’était un chef d’armée – c’est pas ça… C’est comme s’il devenait un dieu. Puis c’est bien important. Le sceptre de cristal c’est un élément important dans son rôle au roi. Il se doit de l’avoir dans ses mains pour pouvoir guider le peuple, son royaume, je ne sais pas. Et quand il était le sceptre c’est là que le chann[el]… Ah ! Capisce. C’est comme si c’était pris ici là, il prend un sceptre, il se met à parler. C’est comme si le channel se met à passer là. Ah. Ça c’est facile. Tout débloque. OK.

Jack : Ça débloque ?

Mélanie : Ça débloque tout. Ça active dans le fond, ça unifie son corps.

Ça active tous ces points au-delà des chakras. C’est comme tous des points. C’est ça. Ça active puis il peut enfin exprimer sa force verbalement. Puis sa puissance au niveau de l’énergie.

J’essaie de voir c’est qui, lui. C’est romain. Mais c’est pas romain dans le temps des romains. [chuckle] C’est un look comme… ouais c’est un look avec l’architecture, le costume romain mais il ne vit pas sur Terre. Moi, je le perçois comme un romain. Avec la toge. Ah. C’était l’image qu’on m’a donnée… [l’image] humaine du dieu. Puis là on a enlevé son image humaine. On a enlevé tout. Dans le fond ce qui reste… C’est juste le sceptre. [pause]

C’est comme un bâton Star Wars. Il est illuminé.

Jack : Parce qu’il y a une puissance là.

Mélanie : C’est puissant ! C’est plus puissant que toute l’électricité de la planète Terre. C’est puissant là. Tu peux pas en approcher, le toucher… si tu touche… it glows like… [Ça brille]. Puis, bien, c’est figé là. Il n’y a plus rien qui se passe.

Jack : Il y avait aussi une question des hybrides – pourquoi la fascination avec tout ça.

Mélanie : Ah, OK. [Il y a] encore le mantis being [être en forme de mante religieuse] que je vois présentement. Mais c’est juste les yeux. Et je ne sais pas si c’est un mantis.

Jack : Tu veux dire un être comme le mante religieuse, n’est-ce pas ?

Mélanie : Oui, c’est ça.

Ah. OK. Ce que je vois c’est comme un … au dessus de la couronne… c’est comme si… là, je vois rien c’est juste… c’est comme un peu de channeling là. Quand ils arrivent sur la terre il n’y a rien sur la Terre… On veut les aider à se connecter avec notre réalité, notre troisième œil… C’est bon ça. C’est comme si avec la chakra de la couronne il y avait comme un fil… un fil qui fait que je… qu’on détecte… on les détecte… c’es-tu moi ou c’est eux. C’est moi. Comme si c’était une onde. Comme si j’émettais une onde pour le capter. [pause]

Oh ! Je suis un fil… à partir de ma tête… que je le suis puis là ça va très, très loin dans le… puis ça fait des branches… comme un arbre… qui a des branches partout…

Tout au bout de toutes ces branches il y a des cellules… comme des boules… toutes ces boules ce sont des incubateurs.

Jack : Ah !

Mélanie : Les incubateurs, puis là… c’est comme si ce sont des petites bibittes. Ils grandissent là. Oh, that’s weird. [c’est bizarre] OK c’est ça. C’est comme s’ils sont là-dedans et puis ils sont maternés dans cette boule. Ils sont biens. Ils sont humains. Ils ont le même… mécanisme physiologique d’une mère humaine qui les porterait par exemple – le même système sanguin, le même développement des poumons, le même apport en vitamines, cordon ombilical – non, pas de cordon ombilical – mais tout le reste.

Et c’est eh, Je vois exactement – tu sais, la poche là – où il y a le sang, puis les muscles, puis… là je vois l’entours là. Mais je ne vois pas nécessairement l’enfant dedans. Mais on montre que c’est très confortable comme le ventre d’une mère. Même température, même nutriments. Et puis il y en a là. C’est un fil tout mince avec des petites branches comme ça, là. C’est une boule par branche là. Un peu comme un érable. Il y a plein de petits branches, puis pleine de petites feuilles. Il n’y a pas énormément de branches mais il y en a suffisamment pour avoir une bonne trentaine de bouboules – comme des petites bouboules de Noël. Mais on ne montre pas rien d’autre. On me dit, « Juste c’est ça. »

Jack : Mais il y a un lien avec les hybrides ?

Mélanie : Ça part de ma tête. C’est ce qui est… C’est comme moi… le fil… il monte, il monte dans le ciel… puis c’est là que ça fait l’arbre. Tch, tch, tch. Je suis comme relié à eux. C’est comme si je les attendais. Comme si je disais mais il y a un de mûr mais avec les hybrides à part ça, je vais voir s’il n’y a pas d’autres choses. [pause]

D’avoir ça – ça me rend super-heureuse.

Jack : Ah.

Mélanie : Ça c’est mon émotion en physique là – quand je pense à eux, puis quand je les vois. C’est comme si je les reconnaissais. Ah, je les reconnais. Je ne les connais pas mais je les reconnais. C’est comme si on se rassemble tous à un endroit – je les reconnais. Puis c’est comme ma famille. Puis, c’est ça – c’est une relation d’aide. Puis, il y en a plusieurs. C’est comme un regroupement. Puis c’est comme… beaucoup d’échange verbal. Puis ça se passe présentement. Ça ne passe pas dans le passé. On dirait que c’est le futur ; c’est pas le passé. Ah, peux-tu faire ça des fois – aller dans le futur ? Non, ce n’est pas le futur. Attends une minute, je fais te dire c’est quoi. C’est le présent.

Mais dans le passé il y a une supervision.

Jack : Une super vision ?

Mélanie : Une supervision… comme si un être, ou un groupe, ou un entité ou… aaaah ! okaaay ! [rires] C’est juste tu tourne la tête et tu regardes. Oh, my Lord that’s big. [Mon Dieu que c’est grand !] OK. Puis on me montre juste une partie là. Je tourne puis on veut pas regarder juste ça. Il y a un… Ah, c’est difficile… Je peux pas te dire si c’est un planète, une ville, ou un ship – when I say « ship » I mean « spaceship ». [Quand je dis « ship » je veux dire vaisseau spatiale.] Ou un plateau, ou quelque chose… En tout cas, c’est gros, c’est immense, puis c’est un endroit où ils surveillent ce qui se passe sur terre quand eux ils arrivent. C’est comme la maison-mère de la « business » sans être une business là. Ah ! Puis là là ils ne veulent pas me montrer, j’essaie puis ils ne veulent pas me montrer. Ils me montrent juste comme un… OK je vais donner un exemple : The CN Tower, like the top of the CN Tower [à Toronto], there’s some glass where you can see 360º around and I see just like a quarter of it. And there’s some people and activities inside this sphere – I can call it a sphere… [La Tour CN à Toronto – son sommet – beaucoup de fenêtres et on peut voir tous les 360º mais moi, je vois juste un quart. Et il y a quelques personnes et activités dans la sphère. Je l’appelé sphère.] Mais sphère n’est pas le mot juste. Ça émane une énergie. Ça émane une énergie très forte avec une portée très, très, très, très longue. C’est de là qu’ils sont capables de voir qu’est-ce qui se passe quand les hybrides or whoever [ou n’importe qui] viennent sur la Terre. Parce que je vois vraiment la terre puis c’est pas loin. C’est comme – ce que je te dis là – c’est dans notre système solaire.

Ah, mais mon dieu ! OK. Là… Il faut je m’attende d’avoir des messages parce que je vais être en communication avec eux. Puis, c’est… OK Whoa. OK je suis en communication avec eux, puis c’est parce que… ça n’a pas de rapport avec le… [pause]

Jack : Doucement…

Mélanie : Trop d’information. Là je ne comprends pas pourquoi je fais du channeling. Je vais tout dire ça. Ça ne sera pas long.

Jack : OK.

Mélanie : Ils n’ont pas voulu me montrer quoi, ils m’ont tourné, ils m’ont pris, ils m’ont donné cette information-là. Je ne sais pas qui, eux qui vont m’aider à faire le channel entre eux puis… le monde. Peut-être les humains, peut-être les hybrides – les deux.

Là ils m’ont mis comme dans une tube – ils m’ont mis par exemple là ça c’est moi, Mélanie – ils m’ont mis dans une tube – ils ont mis une tube alentours de moi. Ils sont en train de me faire des… des download [téléchargements] d’information. Là je peux pas te dire parce que ça va trop vite.

Puis moi je vais être la tour émettrice de cette information. Il va falloir que je sois très, très, très groundée. [enracinée] À tous les jours. Puis je vais être en contact tout le temps avec eux. Puis ça va se faire toute seule.

Aaah !… Les hybrides ils vont venir à moi parce que … pour que je les aide… ça ça va là mais c’est autre chose. C’est pas juste ça. C’est big. [énorme] Puis, ça existent pas encore. Ok

J’ai les chills [frissons] là. Eu !

Jack : Bien sûr. Parce que c’est grand.

Mélanie : Le blocage de tantôt là ici ? C’est parce que je ne l’exprime pas encore. C’est là. Il faut que ça sorte.

Le sceptre – ça a été montré pour me montrer que je suis une force très, très, très, très forte. Il faut que j’aille chercher ce sceptre là pour… Il faut le mettre dans mon cœur, dans la pinéale. Drunvalo.

Là, ils sont en train de montrer quand je prendre le sceptre puis que je le mets… Damn. Oh, my Lord. Il faudrait que tu ressentes ça… euuu… là ils rentrent le sceptre dans moi. OK ? Ça tourne là. J’ai demandé, « C’est quoi le rapport avec les past lives ? » [les vies antérieures] Puis il n’y a pas de réponse.

Ils disent que c’est un game changer [catalyseur de changement] – excuse si je parle franglais…

Jack : Non, ça fait rien…

Mélanie : C’est un… OK là, là… Tu pourras mettre une main à côté de moi et tu sentirais que c’est… Là j’émane. Présentement j’émane beaucoup, beaucoup, beaucoup de cette énergie que je n’ai jamais vu de ma vie.

Jack : Ah !

Mélanie : Là, on va aller par étapes. Ça c’est le sceptre qu’on m’a montré dès le début. Là, je l’ai en dedans de moi. Ils l’ont comme intégré à moi, dans mon corps physique. Je le ressens physique. C’est peut-être pas mon corps physique que je le ressens physique.

Jack : Non, pas exactement.

Mélanie : Puis là, il faut comprendre que quand je vais rencontrer les hybrides – human hybrids or any other species, that’s what I’m going to feel. I’m going to feel the same thing that I’m feeling now. [des hybrides humains ou n’importe quelle autre espèce, c’est ça que je vais sentir. Je vais sentir ce que je sens maintenant.]

Jack : Tu vas sentir le sceptre qui est en dedans ?

Mélanie : Je ne vais pas peut-être sentir le sceptre mais je vais sentir que ça – cette énergie-là

Jack : Alors tu vas reconnaître l’énergie…

Mélanie : Elle va être aussi celle de la personne que je vais reconnaître. Quand je vais ressentir ça, ça veut dire que je suis en présence d’une personne hybride.

[chuchoté] Oh, my Lord. Il faudrait que t’essaies ça, c’est capoté. Puis là, écoute c’est vibrant.

Puis là on me dit de ration[aliser]… On ne veut pas parler de mon passé. Ah. Ça se passe pas dans le past life [la vie antérieure].

Jack : Non, non c’est maintenant.

Mélanie : Écoute. Je te fais faire des choses que tu n’as jamais faites, toi.

C’est tout en simultané.

Jack : Oui.

Mélanie : OK. Je comprends. Parce que je demande c’est quoi le rapport avec le past life pour moi. Il me dit, « Je ne peux pas parler de past life parce que c’est en simultané. Sur la planète Terre c’est nouveau. Tu peux pas aller dans les past life. »

And then I ask if I’ve ever been something else and he said, “Yes.” When I say “he” I don’t know who he is, or she. Let’s call it it. [Et puis je demande si dans le passé j’étais quelque chose d’autre et il me répond, « Oui ». Quand je dis « il » je ne connais pas qui il est, ou si c’est « elle ». Disons « il ».]

It said, “Remember when the king holds the scepter, you saw the king and then it kind of disappeared and disintegrated into a light. The light that you saw is the being that you were.” [Il a dit, « Il faut se rappeler quand le roi tient le sceptre tu as vu le roi et puis d’une certaine manière cela a disparu en désintégrant dans la lumière. Cette lumière que tu as vu, c’est l’être que tu fus ».]

Ok. So I was a light being. Kind of. Does it have a form? No. It’s a light being. [OK. Alors j’étais un être de lumière. D’une certaine manière. Est-ce qu’il tient une forme? Non. C’est un être de lumière.]

Jack : Right, it doesn’t have a form. [Exact. Il n’existe pas dans une forme.]

Mélanie : Ok, so was I a light being before? Or am I still a light being? [OK. J’étais un être de lumière avant. Ou est-ce que je le suis toujours?] [pause]

Je vais donner un mot-clé : Pléiadien. Parce que je nomme là. Pléiadien, Lémurien. Barbara Marciniak. Plus dans cette énergie là. Et ça ne dit pas nécessairement que c’est ça. C’est une énergie dans cette famille. OK.

Tantôt j’ai redit « Drunvalo » parce que j’ai senti l’énergie comme ça puis c’est monté jusqu’au pinéale. Puis on me dit que ça va être semblable. C’est tellement fort que c’est presque insoutenable. Puis c’est ça.

Jack : C’est important de ne pas trop longtemps dans cet état – justement parce que c’est insoutenable.

Mélanie : J’essaie de voir autre chose mais là c’est juste comme sssss.

Jack : Peut-être tu peux retourner à l’île – dans le hamac – parce qu’après tout ce travail il faut un peu de repos.

Mélanie : Là, je suis à l’île. Sur-exposé.

Jack : Oui, parce que tu apportes une grande lumière là.

Mélanie : Puis, je vais dire là… Je suis en apesanteur sur cette île là. C’est une île – le taux vibratoire. C’est comme deux affaires là. Je suis comme trop haute là. C’est difficile de retourner à l’île. Pas parce que je veux rester en haut ; au contraire, je veux y aller. Je me permets de descendre.

Jack : Prends ton temps. Doucement. [pause]

Mélanie : Bon. Les couleurs sont revenues : le ciel bleu, le sable blanc, les arbres.

Jack : Graduellement. Ça va.

Mélanie : Mais, la fébrilité est encore là. [pause]

C’est comme si je sentais les énergies au long de mon corps qui apaisaient un peu là. Tasser.

Jack : Il y a un processus d’entrer de nouveau dans le corps. Parce que tu es allé très loin.

Mélanie : Ça ne m’étonne pas. C’est pas fini là. Ils sont rendus les hanches, les cuisses, les fesses, les pieds. Puis, l’on dit que je suis prête à revenir ici.

[On suit une procédure de sortir de l’état de conscience modifiée.]

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It Resonates

01 Sky IMG_6336(Copyright © Jack Cain 2018, text and images)

Note: This posting of a session conducted July 10th, 2018 continues the work of the previous two sessions: “Being Worked by Light” and “We’re All Just Energy.” In all three sessions we see the work of upgrading both the physical body and the interpenetrating astral body.

Jack: I think it’s good just to be quiet for a moment at the beginning.

It’s possible already in this quiet at the beginning to begin to feel a shift taking place – an internal movement that is towards something quiet, towards a stillness. [pause]

In this moment, there’s a potential – a potential to connect with something inside. Because this deeper, subconscious part of the mind is full of all the memories of everything that’s ever happened and will happen. All of the material is there that’s necessary for a more complete connection to the world in general.

We’re looking to see just what exactly is going to be the most important thing for Laura to connect with today in this session. We need to see what’s going to arise for her.

And I’d to ask that whatever help we need will be present – whatever help that’s going to make a smooth transition to whatever needs to be seen or experienced. There’s a current issue with the eczema – although it’s getting better. It may be that or it may be something completely different that needs to be connected to – today – now – here.

Feeling the kind of quality that’s present right now – in the air as it were. Even from the beginning there’s been a very special quality. A kind of presence. A kind of connection that begins to be made.

So maybe Laura you could just give me a little report of where you’re at just now at the beginning. Take your time. There’s no rush. As you feel you can say something about it.

Laura: I feel like I’m in a soft, dark space. Just relaxed. And there’s a slight pull from my head upwards. But it’s more from my left side.

Jack: Yes, just stay connected to that sensation of a pull that’s there. Nothing that you need to do exactly but just be aware – it’s a question of awareness – awareness that there’s something there that is pulling. Whatever is present is what’s important in this moment. As you bring your consciousness to it, there is possibly a movement that begins to take place. We just have to see where that goes.

It’s good to have a connection to the breathing as well perhaps – simply feel the freedom in the breathing that’s there right now. A deep relaxation that allows the breathing to deepen.

Laura: I feel a tingling – like particles throughout my body but in waves.

Jack: Yes, it’s good to stay with that connection to the body because the body provides an instrument of perception – so as you bring your consciousness to the movement that’s taking place there, there may be a particular area that needs to be concentrated on – or there may not. Just see what there is that stands out from the background. [2 minute pause]

Laura: It’s like I’m feeling I’m going through a flow in my body. There’s the movement of blood but there’s an energy also. I don’t know how to describe it. I’m clearly in my body’s energy.

Jack: Yes, we inhabit this wonderful instrument. It’s important to know it even better. We live with it but we’re often disconnected from it. So to come into a more intimate contact with the body is very helpful. [pause]

Laura: It doesn’t feel as solid. It feels like it’s just space. And breathing and moving. [pause]

Jack: Yes, just follow those perceptions. The wavy movement. [2 minute pause]

Laura: It feels like it’s re-shaping my body. It’s like it’s showing me another body. There’s an energy at my throat. And some… the energy goes up like a… sort of like… I don’t know – like an upside down spider or something. But it’s energy. And it goes… as if I have like a long head… [pause]

Now it’s scanning my head. It’s like a scan that goes from left to right and right to left. Hmm.

Jack: The scan is very important in order to determine what the next steps need to be.

Laura: My throat and neck feel much wider. The throat chakra is huge and round.

Now there’s an egg-shaped figure in front of me, sort of… [pause]

They’re giving me information. Like before. Slow. It’s OK.

Jack: Is it more like a download? Like before?

Laura: Yes, it’s the same. There’s a feeling that I need to go somewhere.

Jack: OK. Just take your time. If you need to go somewhere, then just do that. We need to see. Don’t feel that you’re under any pressure but there are indications of what’s taking place and as you say there’s this transfer of information at the same time. It’s a natural process. The body had to be more open first for that to take place. So it takes some time. [3 minute pause]

Can you say anything more about what’s taking place Laura?

Laura: It’s like I’m seeing the space. It’s like my body, my energy is all round and light. I’m in space. There’s constant movement but it’s very soft and very subtle. Nurturing. It’s like maybe being in a womb or something.

It feels very pure.

Jack: Yes.

Laura: It feels like… yes, like a beginning.

Jack: Yes, just enjoy. You can actually feel the nourishment entering even though it’s very subtle.

And is the place dark or bright?

Laura: Well, it’s dark but actually there feels light.

Jack: Yes, because I’ve had other people describe this nourishing dark.

02 light patterns IMG_6945Laura: Yes, because it’s not like pitch black; it’s more like a bright dark. [chuckle]

Jack: Yes, the words don’t quite fit.

But the point is there’s a sense of a kind of feeding that’s taking place. So you just need to feel very open to receive that. Because of course it’s bringing about a kind of transformation. [4 minute pause]

Laura: Very peaceful. It feels like it’s just what it is. [pause]

Jack: Is there any special part of the body that’s affected or is it general?

Laura: It’s general. Of course my left hand [the one most affected by eczema] is a bit more… I guess healing or something but… it’s pretty general. It’s just sort of showing me what it is.

Jack: Because it’s something quite new isn’t it? So, it’s like you need to become…

Laura: Well, it’s because I’m settling in.

Jack: I see. Right. [pause]

Laura: My right leg all of a sudden feels… Oh, it’s finished now. [pause]

Jack: I see.

Laura: Yes, I think it’s just that I can relax in this body and that’s fine. [pause]

And it’s kind of finished.

Jack: OK.

Laura: Now there are different layers of light… [pause]

I keep going through a tunnel.

Jack: OK. [pause]

Laura: So the light is going upwards again and is being pulled through my head. [pause]

There are other places… There are so many lights… like galaxies… I don’t know – I see these shapes. [pause]

Jack: Is there one in particular you feel drawn to? Or is it just that there’s a whole bunch?

Laura: They’re showing me possibilities.

Jack: I see. [pause]

Laura: Now it’s very still.

Jack: OK. [pause]

Laura: The presence is very friendly. It’s sort of playful. [pause]

Jack: Can we ask if there’s anything special that needs to be done about your eczema? I mean ask that presence…

Laura: Is there anything I should do for the eczema? [pause]

It’s just putting space. It’s strange. It feels like it’s not my arms and hands any more. It feels very different. I… I… [pause]

Jack: Maybe it has already been dealt with.

Laura: Yes, and they’re doing it. It’s sort of like a swirl of energy in front, above my legs and my hands. But it’s kind of playful.

Jack: OK

Laura: I feel a tightness in the heart area.

Jack: Ah. [pause]

Laura: I’m just dealing with this. It’s like it needs to just be dealt with, just watch it. It’s a tightness that was clinging.

Jack: Clinging?

Laura: Yes, I was tight. I don’t know why. I was tightening my heart. The heart chakra.

Jack: But now something is letting go…

Laura: Yes, exactly.

And it’s going down to my right foot. It’s like a circulation. [sigh]

Also my right shoulder. My right eye. [3 minute pause]

Yes, I think it’s something I can do that… just a cure.

Jack: Something you can do on your own?

Laura: Yes.

Jack: Good. Good.

03 self care IMG_6703Laura: Yes. They’re always there. The energy is always there.

Jack: Maybe we could just see if there are any other questions that could be asked. There might be some material come through. Is there something that needs to be said about your son? I don’t know. Because you in a very special place right now. There are presences. There’s a possibility to ask. [pause]

Laura: It’s because I’m afraid. It’s sort of stopping… [pause]

  1. Yes, it’s the fear. The fear of going away.

Jack: Of his going away? Or your going away?

Laura: Of me going away.

Yes. I’m afraid of being lost. It’s… It’s… Space is really scaring me.

Jack: By space you mean this great universe that you’ve been visiting?

Laura: Yes. That’s why they’re showing it to me… so that I won’t be afraid.

Jack: Exactly. Right.

Laura: In my mind I think I have to let go of this body, I guess. I don’t know. I think it’s just a hanging on to an idea.

Jack: Yes.

Laura: Anyway it’s OK.

Jack: Because there wasn’t any fear when you were actually there amongst all the galaxies was there?

Laura: I think the fear was always there.

Jack: So there’s been something there in the background. It’s just so much in the background you’re not aware it’s there.

Laura: This feeling of holding back is related to the eczema thing.

Jack: I see.

Can you just concentrate on the fear and really feel that you’re in front of it.

Laura: That’s it. Now that I see it, now that I’m in it, it’s not there.

Jack: I see.

Laura: [chuckling] Well, now I see there isn’t anything to be afraid of. Before, I thought I was going to disappear.

Jack: Well, maybe you feel very small in the face of the hugeness of…

Laura: Yes, and maybe also it’s like an old habit. So very strange.

Jack: Well, we’re very conditioned to fear the unknown. That’s our conditioning.

Laura: Now it’s just a very… yes… I don’t need to see them. It’s huge. They can be far away or close – it doesn’t matter. [pause]

Jack: I wonder if there’s any advice that those presences who have been there can give you about the fear?

Laura: Well now I’m in a different space and I’ll be able to travel differently.

Jack: OK.

Laura: Yes, I think we’ve gone past that fear. Now there’s a different level.

Jack: Good. Great.

Laura: It’s more sharp, sort of. [pause]

Yes… Well… It’s like this is where I can do things. It’s like there’s a traffic… people… We’re doing things.

Jack: Does that mean you’re now in a space where things can get done or be done?

Laura: Yes. I see around me that there is movement… This is where it’s being done.

Jack: Good. [pause]

Laura: They’re not taking care of me now. It’s like now I should do it too.

Jack: That means you should be taking care of yourself?

Laura: Yes. Taking care of myself and taking care of others – like everybody.

Jack: Right. So that’s what all the work at the beginning was about probably, right? Getting you into a space where that is possible.

Laura: Yes.

Jack: Great. [pause]

Laura: Yes, it’s just… It’s just being able to do it. [pause]

And yes, it does elevate. There is a feeling of elevation. A kind of resonance. And it will add… And that’s what we need to do – we need to resonate with the higher.

Jack: Yes, so that there’s a resonance between your own frequency and the higher frequency.

Laura: Yes.

Jack: So that they’re related and synchronized.

Laura: It will help also around my family, with my son.

Jack: Yes. Of course it will. Excellent. [pause]

So I think we need to begin to move toward an end for this session.

But before we finish I always like to ask if there’s something we’ve forgotten to ask… some last piece of help or advice that could come through. Maybe not. Maybe we’re at a very natural ending. But I always like to ask just in case… [pause]

Laura: That’s it. I was afraid. Because I want to do it by myself. And I couldn’t because I was afraid. Now it’s OK. Anyway, it’s going in that direction. [pause]

And that was what I wanted to ask but I had forgotten [in discussion before the session began]. [chuckles] Yes. OK. It’s all good. It’s amazing how when we say the right words it resonates.

Jack: Yes, that’s a very useful word: “Resonate.” Because then we’re connected.

[Exit procedure.]

04 water IMG_7143

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We’re All Just Energy

(Copyright © Jack Cain 2018, text and images)

Note: This posting of a session conducted May 15th, 2018 continues work begun in the previous posting: Being Worked by Light.

Jack: Laura, what’s taking place for you right now?

Laura: Now it’s just soft wavy lights. They’re not bright. I’m in darkness now. It’s very soft. And the lights are very roundish, wavy. Just kind of floating.

Jack: A sensation of floating or the lights are floating?

Laura: The lights are floating, yes.

Jack: It’s good to stay in contact with that very specific quality, that quality of softness and light.

Maybe at the same time you could come into contact with your breathing so you become more aware that you’re breathing. Not to change it in any way but just to follow the movement of air.

We’re entering into something now in this session as we make an approach to the subconscious mind which has all of the memories of this life and all previous lives. We’re looking for whatever the most important thing is [big stomach gurgle] for Laura to experience. It’s good to involve the body. It speaks up from time to time as it just did. But we need to see now what the next thing is that needs to appear or that you need to be aware of. Certainly the digestive process is having something to say. [Laura chuckles] That’s just another piece of information we need to take into account. [pause]

You need to feel that something is deepening in your state as well. That you’re moving deeper and deeper into this state of letting go, this state which is a slightly different state of consciousness. It gives you access to the deeper mind, the subconscious mind and it also gives access to doorways into the larger world with all of its characteristics and the entities that are there.

So are the lights about the same? What’s happening now Laura?

Laura: No, it’s more fixed. Now it feels… It’s like a spiral. It’s not moving. It’s just sort of in front of me. [pause]

There are other waves above and they’re moving like leaves. They’re like streaks of light.

Jack: There’s no need to try to make sense or understand what’s happening. It’s just a matter of following it. We’re very early in the session. We don’t know yet where it’s going…

Laura: My left ear is tickling inside the eardrum.

Jack: Just keep noticing the different things that are happening.

Laura: There are different forms coming in front of me. Just figures, lights dancing. Now they’re more round like before. They’re circular and bubble-like I guess. Now the top of my forehead is intense. There seems to be a connection there.

Jack: Just stay with those areas.

Laura: Now it’s just like there’s a wavelength, horizontal to me. Just like a wave line. And it feels like it’s dancing in the wind.

Jack: Good.

Laura: It’s like it’s sending light to me. Very softly. [pause]

Jack: Yes, it’s good just to stay with what’s taking place. And to follow the movement of what’s being presented to you. [pause]

Laura: It feels like I’m being pulled. My attention is being pulled. They’re showing me something. Sort of like I should go there.

Jack: So there’s a direction indicated?

Laura: Yes.

Jack: Good.

Laura: I feel different. My body is more relaxed. [big sigh] It’s like it’s more spacious.

Jack: Yes. That’s a good indication that you’re moving into a different level. [pause]

Laura: It’s somewhere else. It’s sort of like in the back of my head. I don’t know. It’s very strange. I don’t see it. It’s a new way of seeing.

I can feel these objects. They’re round. And they’re moving slowly in space. And they’re turning around. It’s like the whole space is moving with them. [pause]

Now I’m just in darkness. But very spacy. It doesn’t feel tight or anything. It feels good actually.

Jack: Yes, I think you’d agree that it’s a kind of darkness that is not oppressive or bad. Some people have said it’s even a kind of nurturing darkness.

Laura: I feel like there’s an aura above my head now. I guess it’s egg shaped. It sort of starts from my neck and goes up. Like with light.

I can feel my hands and my body but mostly my arms and the heart area. [big sigh] [pause]

It feels like I’m just floating. Well, not floating like water – just going up. [pause]

OK. Now it feels like there are layers. [pause]

Something is happening. It’s moving and I’m moving with it. I don’t know. It’s not a… It’s just I’m part of it.

Jack: You’re part of what’s taking place you mean?

Laura: Yes. [pause]

I’m seeing shapes and forms in lights – sort like Northern Lights but smaller. [pause]

It’s very beautiful. I’m just moving in it.

Jack: Yes, just enjoy what’s taking place. We don’t know exactly why this is taking place but it’s clear that it’s an experience that is very beautiful. [pause]

Laura: There are curtains of light and they’re dancing and making waves. Very soft. [pause]

It’s like there’s a round-shaped vehicle.

Jack: OK. [pause]

Laura: And now I’m in it.

It feels part of me.

Jack: Like you and the vehicle are one thing.

Laura: Yes, yes. [pause]

It’s got sort of a pink feeling to it. [pause]

Also I can direct it.

Jack: Yes, maybe you need to decide your direction and where you’re going. Even though you don’t know. Even though part of you doesn’t seem to know but… The reason you’re in the vehicle of course is to travel. And it’s being provided for you. [pause]

Laura: It feels like I’m going forward with it. It’s so funny. I met a women who told me to use her car the other day and I thought she was an alien. Oh my God. [crying] I’m sorry [for crying].

Jack: Don’t be sorry. It’s just what’s happening. Don’t worry about it. Connections are being made, that’s all.

Laura: It’s just that it touched my heart. [sigh]

Jack: It touched your heart because she made the offer?

Laura: She was very ill. She has multiple sclerosis. And I helped her [by getting her car from the grocery store parking lot for her]. And she said that it’s because of people like me that she has faith.

Jack: Right. [pause]

But are you still in the vehicle? Are you still moving? What’s happening?

Laura: Yes, I’m still in the vehicle.

Jack: OK. Good. [pause]

Laura: I’m just sort of floating around. I’m not doing anything right now.

Jack: Well, you have this vehicle. You may want to question your heart to see where it is you want to go, or where it is you need to go… Because it’s quite something to be given a vehicle… So rather than drifting around it’s maybe that you’ve forgotten where it is you need to go. [pause]

Laura: Again they’re showing me figures.

Jack: What are the figures like?

Laura: They’re very round-like. Some look like the yin and yang symbol. [pause] Now it feels like I’m in space. Where I was before. [pause]

Now there’s like a crown of light. And it’s floating downwards. It’s huge. It’s got rays that are like snake-like tentacles. [chuckling]

Jack: But it’s light mainly, right?

Laura: It’s light and it’s just floating.

Jack: Like in front of you?

Laura: Yes. [pause]

Now above my head there is another light formation. [pause]

They’re doing something.

It’s like they’re putting a curtain of light around me.

And there are energy waves coming up. Up to my head. There’s all this energy around me now.

That’s it. It feels like they’re working with the different layers around me. It’s so nice.

Jack: You mean it feels good.

Laura: I just think it’s really nice of them. [pause]

Again there are more figures like the yin and yang.

Jack: Yes perhaps you’ll be able to remember them and could draw them after the session. But the important thing is just what’s happening right now and the fact that you’re being shown many different things. [pause]

Laura: I feel I’m in a wider light. It’s a different tone. [pause]

Jack: And these lights have different colors?

Laura: Well, I’m in a different… the whole surrounding atmosphere is white instead of black [as it was] before. And I see these tall, sort of stringy… I guess they look like seaweed or something. They’re very tall and stringy.

Jack: Like a jellyfish?

Laura: No. Just like seaweed. It’s tall stringy stuff. They’re huge. There’s a couple of them. They’re in the distance. [pause]

And I can feel their energy.

Jack: Ah.

Laura: They’re very strong. They’re things, they’re people, they’re beings.

Jack: Yes, just because the shape is strange doesn’t mean they’re not beings. There are lots of different shapes of beings. So it’s good. You can probably feel their intelligence. [pause]

Laura: I can feel their heart – the motion of their heart.

They’re really big. They’re huge. They live in white light. There’s like a white vessel. It’s going by.

I think I was in the vessel and now I’m not because it’s gone.

Jack: And are those large beings still present?

Laura: No they’ve gone. But I can feel the energy still. It’s like an imprint.

Jack: Good.

Laura: Wow. It’s really strong.

Jack: So you’ve actually received something there.

Laura: It’s the guys from last time.

Jack: The same guys as last time? [i.e.: last session]

Laura: Yes, they’re here now.

Jack: They’ve just arrived you mean?

Laura: I can’t see them. They’re just so very present.

Jack: Yes. You feel the presence.

Laura: It’s like they’re… It’s almost like they’re crushing me. But they’re not. But it’s that strong.

Jack: The presence is so strong that you feel like you maybe could be crushed. Well, in comparison yes. [pause]

They’re here for a reason so let’s just see what it is. [pause]

Laura: I’m emanating sort of energy waves inside their energy. [questioning intonation as if not totally sure what’s going on] [pause]

Again on the hands. On the top of my forehead. Wow. There’s like a… Oh! There’s a… It’s really spectacular. This white light moving in circles but it’s so clear.

Jack: At the forehead you mean.

Laura: Yes, at the top of my head. [pause]

Now the energy is not as intense but it seems like the color… I don’t know… It’s like a shade of maybe orange or something. But it’s not bright. It’s like an atmosphere.

Jack: Is it sort of all around?

Laura: Yes, it’s all around. [pause]

Well, it seems like they’re gone but there’s like a… there’s a streak of light that’s just shooting right up and it starts from the middle of my body. It’s sharp – sort of like an arrow or something. And it’s just like a… it flashes white… I mean not white but like a metal.

Jack: Metallic?

Laura: Yes. Sort of… I don’t know… It feels like it’s an attachment to this…

Jack: An attachment to what?

Laura: To them.

Jack: OK. So you feel connected.

Laura: Yes, I feel connected. [pause]

Jack: Good. Good.

Laura: Yes, maybe they’re telling me what to do.

Jack: OK. Yes, now that that connection is in place it’s more possible. So do you have any detail about what you’re being told to do?

Laura: It’s again the hands. It’s all there.

Jack: [Jack chuckles] Right. [pause]

Can you see where you’re going to be working with your hands?

Laura: [sigh] It’s funny. I’m seeing that woman again who had multiple sclerosis.

Jack: Yes.

Laura: Maybe I can help her.

Jack: Right. Exactly. Yes. Any condition can be changed.

Laura: It’s very funny but… I don’t know who she is or where I could find her or anything. But I think here I can find her. Or anybody.

Jack: Yes, in the space you’re in right now you have access to…

Laura: Everything.

Jack: Yes. Exactly.

So you don’t need to be with her again. You can just do the healing with your hands. Or maybe you’ll meet her. Who knows? But the important thing is your realization that where you are now you have access. And since you’re there now you can come back there again. In a certain way you know where it is and you have a connection. [pause]

Laura: Oh, I remember. I know this place is sort of like a… It’s like the meeting place, you know. I’ve been here before in a dream. And everybody was here and I just had to go but now I’m here.

Jack: Yes, it’s very important that you’re there now consciously. In full consciousness.

[pause] You just need to be very aware of that location so you can come back to it when you need to. It’s a very specific location.

Laura: It’s a protected space.

Jack: Right.

Laura: And there are other beings there.

Jack: Yes.

Laura: Well, we’re all the same. It’s just… We’re all just energy.

Jack: Right. [pause]

Laura: This place is really old. It’s like an ancient stupa. We’re inside. [sigh]

I’ve just been gone for so long. [crying]

Jack: Yes, it’s sad to be gone for so long. But you’re back! Yes, you went very far away from it but now you’re back. And you know that that’s where you belong. [pause]

Laura: Now I see what’s like lights on the horizon. OK. It’s just very peaceful.

Jack: Yes, you’re kind of coming back to the planet I think. [pause]

Laura: I’m just sort of going into my body.

Jack: Yes. Yes. We have to begin to end this session and it’s very natural for you to feel that you’re back on the planet and you’re back in your body in a more ordinary way. It’s not possible to stay too long in the environments you’ve been in. But the contacts, the attachments are still there. It will be possible to be in touch as you need to.

So it’s good to feel the body fully and come back to the breathing once again. Just to feel the movement of breath in and out of the body. Begin to feel that the body is returning to a normal kind of sense. Being able to feel the hands and the feet and the face. Different parts of the body. Of course there’s a heaviness as you come back into the body. But that’s fine. That’s just the way it is. The sense of heaviness will begin to disappear as you begin to be more active.

I’m just going to count from 1 up until 10 to help us make a transition back.

[Using counting as an exit procedure from the altered state we finish.]

[The session lasted about one hour.]

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Being Worked by Light

(Copyright © Jack Cain 2018, text and images)

 Introduction: In this posting we can observe a working with light that is “upgrading” the human body to a new and higher level. Laura’s descriptions give a good idea of a process that has happened now in several sessions I have facilitated with a number of different clients. What she has to say about the nature of the light and the feeling of the light is very informative.

The presence of the entities performing this work could be strongly felt as the session began and that feeling continued throughout the session. This session was conducted on March 23rd, 2018.

The work described in this posting is continued in the next posting (We’re All Just Energy) where the action moves on to more powerful levels.

Jack: Laura, can you find some place as I suggested or can you tell me what’s happening right now.

Laura: I’m on a beach and it’s warm.

Jack: Ah. Yes.

Laura: And the water is turquoise. And there’s lots of space.

Jack: Good. And can you see off into the distance as well?

Laura: I see the trees along the side. I’m seeing it from the top.

Jack: You mean you’re looking down on it?

Laura: Yes.

Jack: Well, just spend a little time there. This is what your subconscious has provided as a place to start. It’s good to just observe. Feel the quality of the place, feel the warmth, and there’s something wonderful about that turquoise color as well. It’s good to be just there. It’s also good to be feeling that you have space. [pause]

Is there any particular emotion that’s present right now? What are you feeling in your emotional center?

Laura: I’m feeling calm and I also have a sense of movement – sort of a brushing up and down. It’s like a signal.

Jack: Yes, just be close to what’s happening, to the signal. Don’t try and figure it out particularly – your ordinary consciousness may want an explanation but that doesn’t matter. Just be close to the movement of brushing up and down. And see where that takes you.

Laura: [intonation as if it’s hard to speak] OK. It’s kind of calm right now.

I’m getting a warm feeling on my whole body. There’s a contact now. Yes. [sigh] [pause]

OK. So it’s like they’re taking over my body. It said just relax and…

Jack: That’s fine. Just allow what needs to take place to take place. [pause]

Laura: [sigh] It seems like they’re transferring information or something.

Jack: Yes, the computer term “download” is sometimes appropriate in these sessions – something is being downloaded. You don’t have to understand immediately what is downloaded but you have to feel open and receptive so that it just enters very naturally into the body. The body is prepared to receive it. That’s why the body needed to be taken over. It’s just information coming down. [2 minute pause]

Can you say anything more about what’s happening now Laura?

Laura: It seems to be moving up… It’s in my head more and my chest… It’s just warm feelings… I just feel… It’s still all in my body. My body feels like tingling. It’s like… It doesn’t feel like my body.

Jack: Well again, don’t try to look for an explanation. Just try to be close to what actually is taking place. The tingling of course is because there’s a lot more energy than usual.

Laura: It feels like I’m floating somewhere. I feel much lighter.

Jack: Much lighter. Good.

Yes. So just stay with that sensation. It’s very specific as these changes take place. And there’s a very natural kind of transition. Because there is of course a lighter body inside you that you’re more connected to now. You’re leaving behind to some extent the heaviness of the physical body. Moving into closer contact with this lighter body.

And you’re doing this consciously. You’re still aware that you’re in this little room and all this is taking place.

Laura: It feels like there’s a movement – an energy that’s different, that swings. It feels like it’s making a circle, like there’s a pulse. And then there’s a sense of blue.

Jack: Can you describe the blue?

Laura: It’s not clear. It’s just that it seems like it’s in the darkness but it’s blue. And it’s taking me somewhere else.

Jack: OK. That’s fine. There may simply be other places you need to visit in this session. So movement is good.

And it’s the kind of a movement that… There’s something steady about that movement. Something deliberate and clear.

Laura: I’m seeing a formation around my body. It’s like it’s being drawn or something. I don’t know. It comes from another space. It’s going all around my body. Sort of like a rope of light.

Jack: OK. Yes, just follow what’s taking place. Follow the movement of that rope of light. All around the body. [1 minute pause]

Laura: OK. So their song. It feels like someone’s talking… something. But… I don’t…

Jack: Yes, sometimes the talking is hard to understand. You may need to ask your higher self or some wiser part of yourself to interpret so that you can tell me the words in English. Sometimes their words are hard to understand. But there’s a part of you that knows what they’re saying. You just need to ask that part. [2 minute pause]

And is there anything more now that you can say about what’s happening?

Laura: They’re putting on a bit more pressure.

They say, “Use the hands.” [pause]

They’re going through the hands. [pause]

Jack: So you can feel that taking place?

Laura: It’s very… The energy’s stronger there. [pause]

It feels a bit more heavy on the hands. [1 minute pause]

And now I’m just floating. [pause]

I’m starting to see forms of energy. [1 minute pause]

I feel this… It feels like electricity inside my body. It’s not just heat. It’s sort of intense. It’s very direct. [pause]

Jack: Is it in any particular area?

Laura: Yes, it’s more intense in my face and hands. It’s radiating

Jack: So it radiates out from those places?

Laura: Yes. [pause]

Jack: Good. [1 minute pause]

Laura: OK. They’re doing something to go to another level. Like it’s pressure and… So I’m kind of pulling back. And it’s happening. There’s like another vibration. It just feels deeper.

Jack: When you say “pulling back” are you resisting or…?

Laura: No. I’m more sort of… It’s like there’s another layer.

Jack: I see. Simply another layer. [pause]

Just give yourself to what’s taking place. Feel open to the exploration that’s being conducted for you. You can be very secure about the direction you’re being carried into because of the quality of the people who are helping you. [pause]

Laura: They’re working again on my hands. There’s a lot of light. I can’t feel my hands any more. It’s like there’s just light. But they’re doing it.

Jack: It’s good to feel the difference. It’s not usually possible to feel the light but you’re feeling it. So that’s a connection that’s very important. [pause]

Laura: I can’t feel my hands any more. [pause]

Jack: But do you see them with light around them?

Laura: It’s just too bright.

Jack: Ah, it’s just too bright.

Laura: It’s just bright light around that area of my hands.

It feels solid though. It feels very intense. [pause]

Jack: Yes, just try to be close to what’s happening. It’s a process. [1 minute pause]

Laura: I think I was resisting because now it feels better.

Jack: Yes, that often happens because it’s so unusual. There’s a part of the body that instinctively holds back because it’s not sure. But you can trust this level that is operating above you. It’s very positive and knows what it’s doing. So you can just allow this to take place. There’s a process that’s engaged.

We don’t know why this is happening right now. The ordinary mind may want to know but it’s not important right now to know. It’s important to be close to the process that’s happening and to feel open to it. The brightness of the light is an indication of the level of what’s taking place. It’s a very high level which is why it’s so hard to even look at it. [3 minute pause]

And what’s taking place now?

Laura: I’m still moving around.

Jack: Yes, movement is good. Different parts need to be touched and brought into some kind of alignment. [2 minute pause]

Laura: They’re showing me shapes.

Jack: Can you say more? What kind of shapes?

Laura: It’s sort of like an S. And then it just goes away.

Jack: Yes. Just notice – notice and absorb them. You don’t have to do anything about it. But it’s good to remember them. [pause]

Laura: It’s intense. They’re communicating. [pause]

Jack: Yes. And you’re receiving. And the information is going where it needs to go. [pause]

Laura: It feels like they’re using heat.

Jack: Is it in a particular area?

Laura: Mostly in the head. In the forehead. [5 minute pause]

Jack: What’s taking place now Laura.

Laura: I can feel my heartbeat. They’re still at my hands.

Jack: It just means that they need to do more work there so that’s fine. [pause]

Laura: Like the hands are numb. [pause] [At this point the session has been going on for an hour.]

Jack: Yes, I think if the hands are feeling numb we should begin to come back to an ordinary state because we can’t continue too long. We’ve been working quite a while already. Those helping us have been working quite a while. It’s important work but it’s also important to come back to the body after a certain time, to come back to any ordinary state.

So we need to have you gradually let go of what’s taking place. Probably we’ll come back to this work again or you’ll come back to it on your own again. It’s an ongoing work.

But now maybe you need to come back to the beach where we began. How does it feel when I suggest that?

Laura: Yes, it feels good.

Jack: This level of intensity is very good but we can only maintain our presence at this level for a certain time. Then we have to come back. It can be contacted again another time.

So if we come back to the beach, especially to the turquoise color, looking down on it the way you were before… the trees and the water. Beautiful color. Just come back there as a feeling of release, a feeling of letting go.

At the same time, the body has undergone a lot of work. Light and information have been downloaded into the body, especially into the hands, also into the head, and probably other areas as well but at least those two in particular.

It may be good as you’re back at the beach to feel a kind of gratitude, a kind of thankfulness at what was possible and the openness that you were able to achieve, even though there was a little resistance but it was not much.

A lot has taken place. A lot of information has been conveyed and a lot of work has been done. We don’t understand exactly what has taken place but it will become clear later.

So, just being back at the beach. Can you say anything about how you are right now?

Laura: It feels good to be back here.

I still feel my hands are numb though.

Jack: Yes, they’ll be numb for a little while – because there was such an intense work that went on… [chuckling] But don’t worry – they’ll come back to an ordinary state.

What’s important is that there are certain changes that have taken place.

Laura: They feel lighter now.

Jack: The hands feel lighter?

Laura: Actually my whole body feels lighter.

Jack: Yes, it should – because you made a visit to a very high level.

Laura: Yes, they’re pretty intense.

Jack: Yes. It’s kind of enormous what has taken place.

Anyway it’s good to be back at the beach. I have a usual way of ending the session which you will remember from before. So just visualize that you are walking down a broad avenue with trees on both sides.

[Ending procedure]

[Following this session Laura began doing healing work with her hands.]

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Tentacles, Swords & the Light

01 blue world IMG_1825(Copyright © Jack Cain 2018, text and images)

 Jack: So, Angela, have you been able to find some place. Just tell me where you are right now.

Angela: It started off as a beach, Varadero Beach in Cuba, and now it feels like a shark came.

Jack: Ah.

Angela: You know when people go deep diving and they’re in a cage, I feel like I’m in one of those cages and it’s going under water.

Jack: Maybe you can begin to see the outlines of the cage – see something more about it. Or some part of the body may respond. So just tell me a bit more.

Angela: I can feel the bars – I can feel my hands around the bars. They’re very thick. And then I can see a grey, dark, sharkey figure staring at me. I can feel that I’ve got on diving gear. I can feel the mouthpiece and the bubbles.

Jack: So you have the gear but you’re staring at some grey, dark, sharkey figure…

Angela: Right. And he’s looking right back at me.

Jack: You’re looking at each other.

Angela: And then it looks like he smiles and he clips the cage. I can see the chains and it looks like he’s got lobster claws so he’s able to cut that chain.

Jack: Oh. The chain that’s holding you?

Angela: But I don’t feel he’s an adversary… or that he’s going to eat me. I actually see and feel him cutting it and taking me somewhere else.

Jack: I see.

Angela: The cage and the shark just go into the water. He seems to be a messenger. He’s not the big boss. He’s a minion that’s been sent.

Jack: So he’s going to help you be transported then?

Angela: Right. He’s just a link in the chain.

Jack: So let’s see what happens next. Where is it you need to be transported to, or to whom…

Angela: We go a level deeper. And it’s just dark. It’s deep sea dark or the color of the dark midnight sky. And what’s being illustrated to me is… I feel like I’m still in the cage for my protection but I feel more free floating. When we first started, I could feel the constraints of the cage. But now I just feel like I’m free-floating in the cage. And the image that keeps coming up is like stars, and constellations. [5:25]

Jack: When you say dark, it’s not a scary dark is it?

Angela: No, it’s just pitch black. It’s what the bottom of the sea would look like – that level of darkness, or midnight sky but it doesn’t feel sinister.

Jack: Right, that’s what I meant.

Angela: It’s just dark.

Jack: It’s really where you need to be at this moment – in that night sky with stars, constellations. So let’s just see what comes now from that environment that you’ve moved into. It’s a different level as you’ve said. So something different can come now. Let’s just see what it is.

02 Menacing fungus IMG_2193Angela: Well, now I feel like tentacles – I’m being wrapped up by an octopus or a squid. I can feel it on the back of my neck, on my shoulders – I can feel myself struggling. And then I see a mouth with teeth. [making a gnarling sound] The feeling of being sucked in. I don’t know if I want to be sucked into it or if I want to fight this thing.

And what presents to me is a sword, a white sword and it’s glowing – to cut off the tentacles. And then what remains is just – just imagine a squid head or an octopus’ head with these teeth – no tentacles now. I keep getting that image of these sharp teeth and the head is very round. The teeth are sharp and pointy and they’re lodged in a critter’s body that is very circular.

Jack: So the body that’s left is circular. OK.

Angela: It looks like – if you’ve ever seen a hook worm or a tape worm under a microscope – that’s what the jaws look like.

Jack: OK. But you still have this sword?

Angela: Yeah, because what happened or what I just heard was like “growing back, growing back.” They keep growing back until you destroy the head and then I saw myself pick up the sword and pierce the head.

Jack: OK. Good.

Angela: Now it’s on the tip of the sword. And then I felt like a sensation in my throat like I was swallowing, like I was swallowing it and when I swallow it the tentacles start to grow out of me.

The image that I keep getting is like this regeneration and it’s like this repetitive cycle. I go through this cycle: I cut the squid, I get rid of the tentacles and here’s the thing and then I go back and eat it. And then I just become it again and again. My subconscious is showing me that image over and over and over again.

Jack: The scene keeps being repeated?

Angela: Right. Or something bigger comes along and eats me and I’m right back where I was.

Now the word that comes is “antidote” and it looks like this vial. It’s luminescent white and pearly colored with rainbow pieces to it. It looks like the eye of a unicorn or the eye of a dragon but not in a menacing way.

Jack: OK. Great.

Angela: There’s the image of drinking the vial. The vial is filled with a dark purple, bluish liquid with little flecks of spark on it. And when I drink it I can feel energy coming back into my body and I get images of strength.

Jack: Great.

Angela: And then I see myself almost like a Hercules, like a man resting by a tree. Then there’s this literally like a Pegasus that is flying around and helping me. It’s weird – it’s like Walt Disney’s Hercules.

Jack: So you’re getting help as well as being very strong.

Angela: Yeah. And the image really is just rest. Laying it to rest. Rest, rest, rest. Rest easy. [pause]

03 sunlit agave IMG_2067It morphs. Now the theme morphs to… First it looks like a cobra and then it looks like an eagle and next it looks like an eagle with a cobra in its mouth. That did make me feel like whoa now we’re at the big boss. I’m starting to feel uneasy. Because the image looked so menacing – this big black snake, this cobra-like character.

Jack: But there’s an eagle too.

Angela: What I saw was a snake and then the eagle grabbing it in its talons, putting it in its mouth and just flying off with it.

Jack: OK. But the cobra was menacing you said.

Angela: Yeah, yeah. It was scary.

Jack: But the eagle has dealt with it. The bird that sees the farthest.

Angela: But the cobra was very much in my face: “What are you going to do now girl.”

Jack: But the eagle came right away for you?

Angela: Yeah. It morphed from cobra to eagle and I can see the eagle grasp the cobra by like its mid-section and then get it with its talons and its beak. And I can see it carry it and just drop it in the middle of… like literally in the middle of the ocean or… It looks like a field of oceans but just deep, dark water.

Jack: Where it belongs maybe. Because it’s dark too.

Angela: I can feel the limpness of the cobra. I can feel that it’s been injured. So now I see it in the water. I’m watching it but I can also feel it, what’s happening to it. So I’m in the water as well. And I can feel the water rising – you know when you’re swimming and the water is up to your eyes. [17:00]

Jack: So you’re in the same water?

Angela: Yes. [pause]

And then I feel surrounded. I feel surrounded by wolves, like a wolf. He’s circling me and I’m… like we’re circling each other.

Jack: Just one wolf?

Angela: Yeah, yeah. It feels like one even though it also feels like he’s one that has… he feels like he’s many but it is just one when I look around. But he’s so intimidating it feels like there are many. You know how someone just has presence. He’s just got presence.

Jack: Presence. Yeah, OK. Wow.

Angela: Then he morphs into like an older – a really old man. Almost indigenous looking or Chinese or Siberian with a bald head. And it was just a costume that he was wearing.

Jack: Oh, I see.

Angela: And we’re sitting and he’s sharing food with me. [pause]

I’m terrified he’s going to try to poison me.

Jack: [surprised] Oh!

Angela: I keep hearing or seeing “No, it’s medicine” and at first it makes me sick and I can see myself kind of laying on the ground convulsing but the word that comes up is that it’s like that “detox” medicine where you get really sick and then…

Jack: So, it’s a purge.

Angela: Yeah, yeah. Just stuff is coming up. Like I’m vomiting houses and children. I vomit skeletons and bones and bird heads and [sigh] femurs and wings.

Jack: Wow.

Angela: And I’m still very masculine. I feel like a man in this one. [pause]

Then the image that comes to me is from the Tarot… all of this stuff that I’ve vomited turns into a Tower. So that Tower card from Tarot comes. [Meaning: sudden unforeseen change.] [pause] [big sigh]

And then I just hear, “Nice landing.” [both laughing] Because now I’m on the soft grass. [pause]

Jack: Yeah, maybe you need to rest in the soft grass after all that…

Angela: And there are literally fairies and entities clapping. And caterpillars and bumblebees and… “Yay – you did it!”

Jack: Great. So you’re being applauded – how wonderful.

Angela: And then there’s the spirit of a tree. Very grandmother-esque that is just kind of taking me up and nurturing me. And lots of images around nourishment – like soup and food… like I’m held in these trees with this particular tree being… the word that comes up is “being nursed back to health.”

04 Crocuses shouting IMG_2221Jack: Good… nursed back to health, yeah. There’s a real substance you can feel that comes into you from the trees.

Angela: Right. I could hear myself saying, “Why? Why all this…? Why all this pain and drama?” And all I’m hearing back is, “Why not?” [laughter]

Jack: Well, it seems like it was necessary, right?

Angela: Yeah, yeah. And then it just turns into flowers – flowers sprouting in this beautiful rich garden. And then I can see the eagle again but this time it’s all white and then I can see the cobra and this time it’s all white too and it’s just laying… it’s wrapped up on my stomach. But the energy this time as it stares me down is a different kind of power… It’s intimidating but it’s like that intimidation that you get when you’re with a being that’s just really grounded and enlightened. Not that kind of shaking the first time that the cobra appeared. First you’re just nasty and evil and now it’s like you know you’ve been transformed. [pause]

Jack: Beautiful, yes. Transformed yes. Absolutely transformed. Good. Good. [pause]

Angela: Now I only see images of pyramids and triangles. [pause] And the word like “base” and “stability.”

Jack: Yes the pyramid is the most stable structure.

Angela: And then there’s a unzipping of that image and I’m being invited to go into the pyramid, to crawl into it. And it feels like a tunnel and as I go through the tunnel I finally get to this inner chamber.

Jack: Good.

Angela: And there’s like a… It just keeps saying like… there’s like a crow or a raven or something in there… It’s like “It’s time to resurrect what died inside of you.”

Jack: I see.

Angela: There’s this whole coffin, there’s this whole inner chamber and literally I can see myself wandering around and putting jewels on the mummy or on the… It’s weird – every time I put a jewel on it, the flesh comes back and then I put the crown on and I literally see like a Nefertiti, Cleopatra come to life. And I can feel her forehead against my forehead – so there’s some kind of download taking place and I see an image of an eye, like an eye of Horus. [pause]

And I can feel her dressing me with poultices so like… physically I don’t look different but internally… yeah like I’m literally hearing, “This is your time to internally purge.” I can see her, I can see her working on my insides scrapping away film and muck and mold. And I hear, “Polishing your inside, this is polishing the inside. It’s time to polish the inside.” And I can see her stuffing my body with jewels and treasure. And I hear her say, “Discover the treasures within.”

But I feel myself asking her, “Yeah, but look at where I’m at. I’m terrified. I’m terrified” [laughter] And I can see her illuminating this protective shield around me.

Jack: Oh, good. [pause]

Angela: And I can see her – I’m like in a bubble and she’s moved me to the next level. There are about three or four more levels that I have to complete but I can see myself – it feels like I’m on track to complete the levels to get to the tip of the pyramid. Which I’m like, “Well, what is that?”

And I hear her saying, “You define that.”

Jack: I see.

Angela: You define your kind of goal. And I hear her say, “I’ll help you. I’ll help you define it and I’ll help you get there but you define it.” [chuckle] It’s like you’ve beat man’s game, now it’s time for you to create and play your own game – for you and by you.

You’ve reached what man defines as successful. Now you have to define your own stars, your own course. I can literally hear her say, “You look to the heavens to tell you what your course should be but that’s not how it works. You actually, in this life, get to define what your course will be. It’s not a pre-programmed thing.”

It’s so scary to even say it because I feel like I’m crossing some kind of threshold. Like I want the universe to assign me a role and say “You’re going to be a postwoman – like doing post office delivery. But she’s shaking her head and saying, “At this level you get to define it.”

Jack: OK. Good. What’s the definition?

05 mauve poppy IMG_0519Angela: Yeah. Yeah. I see myself writing. I can see myself literally scribing. [chuckling] I can feel a nice ocean breeze from Hawaii on my back. [pause]

Now I’m literally in a cabana if you will and all I hear is the ocean waves and I can sense and feel the lushness of the trees and of the tropics and I’m just writing.

Jack: Writing. OK. [pause]

Angela: And there’s like a star, there’s a star on the paper and then that symbol of – I think in the Wiccan tradition – maiden/crone two moons and a star in the middle. First is the maiden and a crone in the middle is the symbol I’m being given. [pause]

And I can see it on my hand – my hand suddenly displays that symbol – different patterns of it. [pause]

And then I can see myself cutting these golden handcuffs.

Jack: I see. Golden handcuffs!

Angela: Wow. Yeah, yeah it’s weird. Because with the handcuffs I’m able to write but once I cut them all of this gold liquid… this gold, sparkly, shimmery liquid just pours out all over the scene. And there’s just so much flow and enthusiasm and joy.

Jack: OK. Enthusiasm, joy.

Angela: It’s just oozing and squirting everywhere. Just oozing honey.

And then I hear, “Don’t be afraid. Don’t be afraid.” Move through the fear. Move with the fear but don’t let the fear stop you.

Jack: Good. Good advice. Yes, you have to keep moving. [pause]

Angela: And then I’m being given a gift from the eagle of like this pearl. But it’s clear. It looks like a pearl when you look at it but when you actually look into it the word “vision” pops up. Like focus on your vision.

Jack: Vision. Yes, you need to focus on the vision. Because look how it has served you in this session alone. [pause]

Angela: And then I can feel hands either holding mine or supporting my lower back. And supporting me when I say “No” because that’s the other thing that’s coming – “Say no. Just say no.”

Jack: Right. Yes. That support is very important. So feel those hands very clearly because they can come back and help you when you need.

Angela: Yeah, it’s interesting because I got this image of some of that fear that I feel around going up to where I work. I got this image of well, what if they shoot up the place and I just got this image of me putting that fear into a box and closing it and saying no. It’s OK to close that door.

Jack: Yes, OK to close that door. I think that’s very important. And the idea of putting the fear in the box. That’s so practical.

Angela: Yeah and there’s just so much white and so much light when I can do that. Like I’m in this room and there are tons of doors, there are tons of options. And I’m just a little eyeball. All I see is my eyeball and I can open the door or I can shut it, I can open the door or I can shut, I can open it or shut it.

Jack: Right.

Angela: So it’s really directing my vision where I want it to go. Because there are some doors that I’m leaving open. And that’s where my gaze and my attention will go. It’s literally directing the energy. Directing my gaze to where I want to focus my energy is the message that’s coming through loud and clear.

Jack: Good. Good. [pause]

Angela: And I’m hearing, “Where is my gaze?” When I get stuck that’s the question to ask myself – like “Where is my gaze?” And I can literally use that as a technique.

Jack: Right.

Angela: To put it in the box. Close it up. Blow it up with a rose and open up the door that I do want to open up.

[pause] And then I see all these roses. When I want to bring something in – put down roses to bring it in. I’m hearing, “Use your energy in a different way.”

Jack: That’s great: Use your energy in a different way.

Angela: And I’m seeing more swords, swords and machetes, because the inner question that I’m asking is “What about if I’m too tired? What about if I…?” Like I’m hearing and I’m seeing like to use my sword to cut off – because it’s taking me back to that octopus like when those tentacles are around me use the sword to cut them off. To cut off that energy and then open the door again to what I want to see, for what I want to bring in.

[chuckle] And then I’m seeing and hearing, “This is advanced. We know this is advanced.” Because I can feel myself complaining like, “Why? Why can’t it just be easy.”

Jack: No, you have to make the effort to use the tools you’re being given. It’s up to you. But look at the tools – amazing.

Angela: Yeah, I mean really.

Jack: And look at the cleanup job that was done. A huge cleanup.

Angela: Yeah all that stuff we started with at the beginning. My God! To where we are now where it’s like “Choose whatever route you want.”

Jack: Yeah, and it couldn’t have been done without the cleanup job and without the tools.

Angela: The image that I get is like a book and the words “The End.” But it’s showing the start to the end, like this is the story. Or like this is the arch, this is the narrative. It wouldn’t be a story without those pieces.

Jack: No, they’re needed. Absolutely.

Wonderful. Wonderful. Amazing. [pause]

So maybe we should ask if there’s just some last thing that’s needed that we’ve forgotten about or haven’t asked about.

Angela: The last piece that comes through is just this image of a baby being born.

Jack: Ah.

Angela: I’ve been dreaming about that for a long time. A few weeks ago I had twins in my dream and then the other night I was giving birth to another baby so I think I’m just giving birth to a different part of me. Give birth. This is the process of giving birth.

Jack: That’s right. Yes, it’s like a whole new being.

Angela: Yes. Yes.

Jack: Good.

[Ending procedure to exit the altered state of consciousness]

06 roses IMG_0072

Other posts in this series: Ritual is Just a Doorway, Cempazúchitl (Marigolds), Toe Holds and Alligators, Tentacles, Swords and the Light.

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